{"title":"Preamps","description":"","products":[{"product_id":"pre-amplificador-e-equalizador-de-microfone-warm-wa73-eq","title":"Warm Audio WA73-EQ Mic Preamp and EQ","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 1073 legend lives on in Warm Audio's splendid WA73-EQ\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cdiv class=\"webtext-block webtext-block--mixed-content\"\u003e\n\n\u003cdiv\u003e\n\n \u003cp\u003e\u003cspan\u003eThe legendary 1073 wrote the book on mic preamp and EQ with personality.\u003cspan\u003e \u003c\/span\u003eThese venerable circuits helped define the energetic sound of '70s rock - and countless recordings and live shows since.\u003cspan\u003e \u003c\/span\u003eToday, that coveted tone can be yours for a song, with the Warm Audio WA73-EQ mic\/line\/instrument preamp.\u003cspan\u003e \u003c\/span\u003eIn both design and performance, the WA73-EQ pays homage to the revered lineage of British consoles that started it all.\u003cspan\u003e \u003c\/span\u003eAcross the audio industry, the 1073 is considered the holy grail of preamps and equalizers, with a rich, sweet and bold tone ideal for making bold statements with your music.\u003cspan\u003e \u003c\/span\u003eAfter years of research and development, meticulous reverse engineering and countless hours of listening, Warm Audio has captured the sonic essence of this classic perfectly in their boutique WA73-EQ.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"webtext-copywriters\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"webtext-copywriters__border\" data-mce-fragment=\"1\"\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ch1\u003e\u003cspan\u003eHandcrafted with premium quality parts\u003c\/span\u003e\u003c\/h1\u003e\n\n \u003cp\u003e\u003cspan\u003eBoasting gun-grade build quality with discrete, hand-wired Class A circuitry and top-of-the-line parts like UK-made Carnhill transformers and Blore Edwards mil-spec, dual concentric switching potentiometers, the WA73-EQ has 80dB of gain on tap so you can capture smooth sources with your favorite ribbon microphone.\u003cspan\u003e \u003c\/span\u003eYour tapes and condensers will sound heavenly;\u003cspan\u003e \u003c\/span\u003eyou'll be shocked to hear just how authoritative their dynamic mics sound.\u003cspan\u003e \u003c\/span\u003eEngaging the input stage and lowering the output gain enhances your tracks with tasty vintage-style coloring.\u003cspan\u003e \u003c\/span\u003eRounding out the feature set is an instrument jack, polarity reversal, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\n\n\u003cdiv class=\"webtext-block webtext-switched webtext-block--media-left webtext-block--mixed-content\"\u003e\n\n\u003cdiv class=\"webtext__column webtext--text\"\u003e\n\n\u003ch1\u003e\u003cspan\u003eOptimize every source — and microphone\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eThere's no source that doesn't sound amazing through the Warm Audio WA73-EQ.\u003cspan\u003e \u003c\/span\u003eWith judicious microphone selection and placement, the battery is larger than life;\u003cspan\u003e \u003c\/span\u003eThe bass DI and keyboards sound massive and the synths become trance-inducing;\u003cspan\u003e \u003c\/span\u003eelectric guitars soar;\u003cspan\u003e \u003c\/span\u003evocal rule.\u003cspan\u003e \u003c\/span\u003ePianos and guitars are resplendent.\u003cspan\u003e \u003c\/span\u003eOrchestral instruments - strings, woodwinds, brass and percussion - reach an ineffable exuberance and dimension.\u003cspan\u003e \u003c\/span\u003eYou can even use the WA73-EQ as a tone shaping tool to run full stems or mixes.\u003cspan\u003e \u003c\/span\u003eHear what the WA73-EQ can do for your own recordings.\u003cspan\u003e \u003c\/span\u003eIt's transformative.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"webtext-block webtext-switched webtext-block--media-right webtext-block--mixed-content\"\u003e\n\n\u003cdiv class=\"webtext__column webtext--text\"\u003e\n\n\u003ch1\u003e\u003cspan\u003eUltimate British EQ\u003c\/span\u003e\u003c\/h1\u003e\n\n \u003cp\u003e\u003cspan\u003eThe EQ section of the WA73-EQ follows the classic 1073 circuit topology.\u003cspan\u003e \u003c\/span\u003eThe vintage 1073 is the holy grail of EQ, and the WA73-EQ nails its sounds and behavior (complete with its legendary harmonic distortion).\u003cspan\u003e \u003c\/span\u003eIt's a three-band affair, with HF shelves at 10, 12, and 16 kHz;\u003cspan\u003e \u003c\/span\u003emid-band peaking with selectable center frequencies at 360 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz;\u003cspan\u003e \u003c\/span\u003eand LF shelving, selectable at 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003cspan\u003e \u003c\/span\u003eA high-pass filter, switchable at 50 Hz, 80 Hz, 160 Hz and 300 Hz, lets you cut your unwanted bass signals.\u003cspan\u003e \u003c\/span\u003eIf you've never worked with a 1073-style EQ before, all we can say is, you're in for a big surprise.\u003cspan\u003e \u003c\/span\u003eIt's worth noting that the original 1073 only offered a fixed 10kHz shelf, and the additional high-frequency flexibility offered by the WA73-EQ is most welcome.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eUK Custom Carnhill Transformers\u003c\/span\u003e\u003c\/h1\u003e\n\n \u003cp\u003e\u003cspan\u003e1073-loving engineers perk up when the conversation turns to the component history of these classic circuits, and signal transformers are a frequent topic of discussion.\u003cspan\u003e \u003c\/span\u003eVintage 1073s used different transformer variants throughout their production run;\u003cspan\u003e \u003c\/span\u003ebut the most coveted were the first ones made by Marinair Radar, due to its fluid and forgiving nature that saturates sweetly when pushed.\u003cspan\u003e \u003c\/span\u003eThey have been known to bring engineers to tears when they hear how wonderful their mixes sound through them!\u003cspan\u003e \u003c\/span\u003eWarm Audio turned to Carnhill Transformers of Cambridgeshire, UK to design meticulous replicas of these most desirable early 1073 transformers.\u003cspan\u003e \u003c\/span\u003eThe results are impressive and - to our ears - tantalizingly close to the first vintage 1073.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003ch1\u003e\u003cspan\u003eWarm left no stone unturned\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eA vital but little-discussed component of these classic British circuits are the different types of capacitors and output transistors used.\u003cspan\u003e \u003c\/span\u003eTo maintain the integrity of the original circuitry, Warm decided to use high quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that provides smoother results at higher gain settings than commonly found in pre-amps. 1073 style amplifiers of today.\u003cspan\u003e \u003c\/span\u003eAll things considered, Warm Audio's monumental effort to design a no-compromise product paid off.\u003cspan\u003e \u003c\/span\u003eYou'll appreciate it every time you plug in the WA73-EQ and record.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eCharacteristics\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cul class=\"webtext-block--colcount\"\u003e\n\n \u003cli\u003e\u003cspan\u003eWired, hand-assembled 1073-style preamp\/EQ;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eTotally discrete, Class A, transformer-balanced circuitry;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eUK made Carnhill transformers;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e80dB of gain handles any type of microphone, including low-output ribbons;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eResistor-stepped rotary gain switch for easy recall\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eTone knob alters input transformer impedance for mic optimization and tonal shaping;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003ePolarity switch;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003ePhantom power 48V;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003e4-position inductor-based high-pass filter, selectable for Off, 50, 80, 160 or 300 Hz;\u003c\/span\u003e \u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eInductor-based 3-band EQ;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eLow band boost\/cut at 35, 60, 110 or 220 Hz;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eMid-band boost\/cut at 360, 700, 1600, 3200, 4800 or 7200 Hz;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eHigh band boost\/cut at 10, 12 or 16 kHz;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eAdditional high-band frequency EQ points added (compared to the vintage 1073);\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eXLR microphone input;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eLine-level TRS input;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eTS send\/receive insert connectors;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eXLR and TRS line level outputs;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eDI instrument input;\u003c\/span\u003e\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003eOutput level control;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eLED level indication meter;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eRugged chassis for 19-inch rackmount;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eGround lift switch;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eInternal IEC 115V\/230V power input.\u003c\/span\u003e\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cul class=\"table\"\u003e\n\n\u003cli class=\"table__row\"\u003ePreamp Type: \u003cspan class=\"table__cell\"\u003eSolid State Class A;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eNumber of channels: \u003cspan class=\"table__cell\"\u003e1;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eWith phantom power: \u003cspan class=\"table__cell\"\u003eyes;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n \u003cli class=\"table__row\"\u003ePolarity switch: yes \u003cspan class=\"table__cell\"\u003eim;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eEqualizer: \u003cspan class=\"table__cell\"\u003eLow: 35Hz-220Hz, Mid: 360Hz-7.2kHz, High 10kHz-16kHz, Highpass;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog Inputs: \u003cspan class=\"table__cell\"\u003e2 x XLR (mic), 1 x 1\/4 in. (thread), 1 x 1\/4-in. (Hi-Z), 1 x 1\/4 in. (return);\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog outputs: \u003cspan class=\"table__cell\"\u003e1 x XLR (line out), 1 x 1\/4 in. (line out), 1 x 1\/4 in. (shipping);\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eRack Spaces: \u003cspan class=\"table__cell\"\u003e1U;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003ePower Source: \u003cspan class=\"table__cell\"\u003eStandard IEC AC cable;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n \u003cli class=\"table__row\"\u003eWidth: \u003cspan class=\"table__cell\"\u003e19 in.;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eManufacturer Part Number: \u003cspan class=\"table__cell\"\u003eWA73-EQ.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":43605169078490,"sku":"WA73-EQ","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/products\/1_5b3ef5b4-cbeb-4048-8297-356ccd62652c.jpg?v=1673294204"},{"product_id":"pre-amplificador-e-equalizador-de-microfone-warm-wa273-eq","title":"Warm Audio WA273-EQ Mic Preamp and EQ","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n \u003ch1 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 1073 legend lives on in Warm Audio's stunning WA273-EQ\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cdiv class=\"webtext-copywriters\" data-mce-fragment=\"1\"\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cdiv class=\"webtext-block webtext-block--mixed-content\"\u003e\n\n\u003cdiv\u003e\n\n \u003cp\u003e\u003cspan\u003eThe legendary 1073 wrote the book on mic preamp and EQ with personality.\u003cspan\u003e \u003c\/span\u003eThese venerable circuits helped define the energetic sound of '70s rock - and countless recordings and live shows since.\u003cspan\u003e \u003c\/span\u003eToday, that coveted tone can be yours for a song, with the Warm Audio WA273-EQ mic\/line\/instrument preamp.\u003cspan\u003e \u003c\/span\u003eIn both design and performance, the 2-channel WA273-EQ pays homage to the revered lineage of British consoles that started it all.\u003cspan\u003e \u003c\/span\u003eAcross the audio industry, the 1073 is considered the holy grail of preamps and equalizers, with a rich, sweet and bold tone ideal for making bold statements with your music.\u003cspan\u003e \u003c\/span\u003eAfter years of research and development, meticulous reverse engineering and countless hours of listening, Warm Audio has captured the sonic essence of this classic perfectly in their boutique WA273-EQ.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"webtext-block webtext-block--video-content\"\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ch1\u003e\u003cspan\u003eHandcrafted with premium quality parts\u003c\/span\u003e\u003c\/h1\u003e\n\n \u003cp\u003e\u003cspan\u003eBoasting gun-grade build quality with discrete, hand-wired Class A circuitry and top-of-the-line parts like UK-made Carnhill transformers and Blore Edwards mil-spec dual concentric switching potentiometers, the WA273-EQ has 80dB of gain on tap so you can capture smooth sources with your favorite ribbon mic.\u003cspan\u003e \u003c\/span\u003eYour tapes and condensers will sound heavenly;\u003cspan\u003e \u003c\/span\u003eyou'll be shocked to hear just how authoritative their dynamic mics sound.\u003cspan\u003e \u003c\/span\u003eEngaging the input stage and lowering the output gain enhances your tracks with tasty vintage-style coloring.\u003cspan\u003e \u003c\/span\u003eRounding out the feature set are instrument-per-channel connectors, polarity inversion, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eOptimize every source — and microphone\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eThere's no source that doesn't sound amazing through the Warm Audio WA273-EQ.\u003cspan\u003e \u003c\/span\u003eWith judicious microphone selection and placement, the battery is larger than life;\u003cspan\u003e \u003c\/span\u003eThe bass DI and keyboards sound massive and the synths become trance-inducing;\u003cspan\u003e \u003c\/span\u003eelectric guitars soar;\u003cspan\u003e \u003c\/span\u003evocal rule.\u003cspan\u003e \u003c\/span\u003ePianos and guitars are resplendent.\u003cspan\u003e \u003c\/span\u003eOrchestral instruments - strings, woodwinds, brass and percussion - reach an ineffable exuberance and dimension.\u003cspan\u003e \u003c\/span\u003eYou can even use the WA273-EQ as a tone shaping tool to run full stems or mixes.\u003cspan\u003e \u003c\/span\u003eHear what the WA273-EQ can do for your own recordings.\u003cspan\u003e \u003c\/span\u003eIt's transformative.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\n\u003cspan\u003eUltimate British EQ\u003c\/span\u003e \u003c\/h1\u003e\n\n \u003cp\u003e\u003cspan\u003eThe WA273-EQ's EQ sections adhere to the classic 1073 circuit topology.\u003cspan\u003e \u003c\/span\u003eThe vintage 1073 is the holy grail of EQ, and the WA273-EQ nails its sounds and behavior (complete with its legendary harmonic distortion).\u003cspan\u003e \u003c\/span\u003eIt's a three-band affair, with HF shelves at 10, 12, and 16 kHz;\u003cspan\u003e \u003c\/span\u003emid-band peaking with selectable center frequencies at 360 Hz, 700 Hz, 1.6 kHz, 3.2 kHz, 4.8 kHz and 7.2 kHz;\u003cspan\u003e \u003c\/span\u003eand LF shelving, selectable at 35 Hz, 60 Hz, 110 Hz and 220 Hz.\u003cspan\u003e \u003c\/span\u003eA high-pass filter, switchable at 50 Hz, 80 Hz, 160 Hz and 300 Hz, lets you cut your unwanted bass signals.\u003cspan\u003e \u003c\/span\u003eIf you've never worked with a 1073-style EQ before, all we can say is, you're in for a big surprise.\u003cspan\u003e \u003c\/span\u003eIt's worth noting that the original 1073 only offered a fixed 10kHz shelf, and the additional high-frequency flexibility offered by the WA273-EQ is most welcome.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eWarm left no stone unturned\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eA vital but little-discussed component of these classic British circuits are the different types of capacitors and output transistors used.\u003cspan\u003e \u003c\/span\u003eTo maintain the integrity of the original circuitry, Warm decided to use high quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that provides smoother results at higher gain settings than commonly found in pre-amps. 1073 style amplifiers of today.\u003cspan\u003e \u003c\/span\u003eAll things considered, Warm Audio's monumental effort to design a no-compromise product paid off.\u003cspan\u003e \u003c\/span\u003eYou'll appreciate it every time you plug in the WA273-EQ and record.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eCharacteristics\u003c\/span\u003e\u003c\/h1\u003e\n\n \u003cul class=\"webtext-block--colcount\"\u003e\n\n\u003cli\u003e\u003cspan\u003eWired, hand-assembled 1073-style preamp\/EQ;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eTotally discrete, Class A, transformer-balanced circuitry;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eUK made Carnhill transformers;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e80dB of gain handles any type of microphone, including low-output ribbons;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eResistor-scaled rotary gain switches for easy recall\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eTone knobs change input transformer impedance for mic optimization and tonal shaping;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003ePolarity switches;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003ePhantom power (48V);\u003c\/span\u003e\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003e4-position inductor-based highpass filters, switchable to Off, 50, 80, 160 or 300 Hz;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eInductor-based 3-band EQ per channel;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003eLow band boost\/cut at 35, 60, 110 or 220 Hz;\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eMid-band boost\/cut at 360, 700, 1600, 3200, 4800 or 7200 Hz;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eHigh band boost\/cut at 10, 12 or 16 kHz;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eAdditional high-band frequency EQ points added (compared to the vintage 1073);\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eXLR microphone inputs;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eLine-level TRS inputs;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eTS send\/receive insert connectors;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eXLR and TRS line level outputs;\u003c\/span\u003e \u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eDI instrument inputs;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eOutput level controls;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eLevel indication LED meters;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eRugged chassis for 19-inch rackmount;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eGround lift switch;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eInternal IEC 115V\/230V power input.\u003c\/span\u003e\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cul class=\"table\"\u003e\n\n\u003cli class=\"table__row\"\u003ePreamp Type: \u003cspan class=\"table__cell\"\u003eSolid State Class A;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eNumber of channels: \u003cspan class=\"table__cell\"\u003e2;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eWith phantom power: yes; \u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003ePolarity switch: yes \u003cspan class=\"table__cell\"\u003eim;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003e\n\u003cspan class=\"table__cell\"\u003eEqualizer: Low (35Hz, 60Hz, 110Hz, 220Hz), Medium (360Hz, 700Hz, 1600Hz, 3200Hz, 4800Hz, 7200Hz), High (10kHz, 12kHz, 16kHz), Highpass;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog inputs: \u003cspan class=\"table__cell\"\u003e4 x XLR (microphone), 2 x 1\/4 in. (Hi-Z), 2 x 1\/4 in. (line);\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog Outputs: \u003cspan class=\"table__cell\"\u003e2 x XLR, 2 x 1\/4 in;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eChannel inserts: yes \u003cspan class=\"table__cell\"\u003eim;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eFrequency response: \u003cspan class=\"table__cell\"\u003e20Hz-20kHz (±0.5 dB);\u003c\/span\u003e\n \u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eRack Spaces: \u003cspan class=\"table__cell\"\u003e2U;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003ePower Source: \u003cspan class=\"table__cell\"\u003eStandard IEC AC cable;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eWidth: \u003cspan class=\"table__cell\"\u003e19 in.;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eManufacturer Part Number: \u003cspan class=\"table__cell\"\u003eWA273-EQ.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":43605441544410,"sku":"WA273-EQ","price":1599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/products\/IMG_WARM_AUDIO_WA273-EQ_2.jpg?v=1673297456"},{"product_id":"pre-amplificador-de-microfone-warm-wa73","title":"Warm Audio WA73 Mic Preamp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 1073 legend lives on in Warm Audio's splendid WA73\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cdiv class=\"webtext-block webtext-block--mixed-content\"\u003e\n\n \u003cp\u003e\u003cspan\u003eThe legendary 1073 wrote the book on mic preamps with personality.\u003cspan\u003e \u003c\/span\u003eThis venerable circuit helped define the energetic sound of '70s rock - and countless recordings and live shows since then.\u003cspan\u003e \u003c\/span\u003eToday, that coveted tone can be yours for a song, with the Warm Audio WA73 mic\/line\/instrument preamp.\u003cspan\u003e \u003c\/span\u003eIn both design and performance, the WA73 pays homage to the revered lineage of British consoles that started it all.\u003cspan\u003e \u003c\/span\u003eAcross the audio industry, the 1073 is considered the holy grail of preamps, with a rich, sweet and bold tonality ideal for making bold statements with your music.\u003cspan\u003e \u003c\/span\u003eAfter years of research and development, meticulous reverse engineering and countless hours of listening, Warm Audio have captured the sonic essence of this classic perfectly in their boutique WA73.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eHandcrafted with premium quality parts\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eBoasting gun-grade build quality with discrete, hand-wired Class A circuitry and top-of-the-line parts like UK-made Carnhill transformers, the WA73 has 80dB of gain on tap so you can capture smooth sources with your favorite tape.\u003cspan\u003e \u003c\/span\u003eYour tapes and condensers will sound heavenly;\u003cspan\u003e \u003c\/span\u003eyou'll be shocked to hear just how authoritative their dynamic mics sound.\u003cspan\u003e \u003c\/span\u003eEngaging the input stage and lowering the output gain enhances your tracks with tasty vintage-style coloring.\u003cspan\u003e \u003c\/span\u003eRounding out the feature set is an instrument jack, polarity reversal, 48V phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eOptimize every source — and microphone\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eThere's no source that doesn't sound amazing through the Warm Audio WA73.\u003cspan\u003e \u003c\/span\u003eWith judicious microphone selection and placement, the battery is larger than life;\u003cspan\u003e \u003c\/span\u003eThe bass DI and keyboards sound massive and the synths become trance-inducing;\u003cspan\u003e \u003c\/span\u003eelectric guitars soar;\u003cspan\u003e \u003c\/span\u003evocal rule.\u003cspan\u003e \u003c\/span\u003ePianos and guitars are resplendent.\u003cspan\u003e \u003c\/span\u003eOrchestral instruments - strings, woodwinds, brass and percussion - reach an ineffable exuberance and dimension.\u003cspan\u003e \u003c\/span\u003eYou can even use the WA73 as a tone shaping tool to run full stems or mixes.\u003cspan\u003e \u003c\/span\u003eHear what the WA73 can do for your own recordings.\u003cspan\u003e \u003c\/span\u003eIt's transformative.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003ch1\u003e\u003cspan\u003eHot left no stone unturned\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eA vital but little-discussed component of these classic British circuits are the different types of capacitors and output transistors used.\u003cspan\u003e \u003c\/span\u003eTo maintain the integrity of the original circuitry, Warm decided to use high quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that provides smoother results at higher gain settings than commonly found in pre-amps. 1073 style amplifiers of today.\u003cspan\u003e \u003c\/span\u003eAll things considered, Warm Audio's monumental effort to design a no-compromise product paid off.\u003cspan\u003e \u003c\/span\u003eYou'll appreciate it every time you plug in the WA73 and record.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eFeatures and Specifications\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cul\u003e\n\n \u003cli\u003eBritish '73-style, single-channel, class-A mic preamp;\u003c\/li\u003e\n\n\u003cli\u003eMade in the UK by Carnhill Transformers;\u003c\/li\u003e\n\n\u003cli\u003eWires connected by hand, handmade assembly;\u003c\/li\u003e\n\n\u003cli\u003e80dB gain (step resistance gain switch);\u003c\/li\u003e\n\n\u003cli\u003eTotally discreet;\u003c\/li\u003e\n\n\u003cli\u003eTONE knob: Changes the transformer input impedance to vary the tone;\u003c\/li\u003e\n\n\u003cli\u003ePolarity switch;\u003c\/li\u003e\n\n\u003cli\u003eWith phantom power: yes (48V);\u003c\/li\u003e\n\n\u003cli\u003eHigh-pass filter (high-pass) inductive base and 4 positions: 50, 80, 160 and 300Hz;\u003c\/li\u003e\n\n\u003cli\u003eXLR microphone inputs;\u003c\/li\u003e\n\n\u003cli\u003eTRS line-level input;\u003c\/li\u003e\n\n\u003cli\u003eTS send\/receive jacks;\u003c\/li\u003e\n\n\u003cli\u003eXLR and TRS line level outputs; \u003c\/li\u003e\n\n\u003cli\u003eInstrument input, direct In;\u003c\/li\u003e\n\n\u003cli\u003eOutput control;\u003c\/li\u003e\n\n\u003cli\u003eLevel indication LED;\u003c\/li\u003e\n\n\u003cli\u003eFrequency response from 20Hz to 20kHz +\/- 0.5dB;\u003c\/li\u003e\n\n\u003cli\u003e19 inches, rack mountable;\u003c\/li\u003e\n\n\u003cli\u003eInternal 115V\/230V IEC power supply input.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":43626773971162,"sku":"WA73","price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/products\/1_5ec2e86c-a5c0-40f4-83cf-0236518f690b.jpg?v=1674153686"},{"product_id":"pre-amplificador-de-microfone-warm-wa-412-4-canais","title":"Warm Audio WA-412 4-Channel Mic Preamp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClassic console preamp sound\u003c\/span\u003e\u003c\/h1\u003e\n\n \u003cp\u003e\u003cspan\u003eThe Warm Audio WA-412 delivers the vintage magic of a venerable American console preamp.\u003cspan\u003e \u003c\/span\u003eWith its big, punchy bass and sweet, open highs, the WA-412 4-channel preamp\/DI packs classic rock 'n' roll sound into a sleek 1RU chassis.\u003cspan\u003e \u003c\/span\u003eWarm Audio equipment has notoriously upset the price\/performance ratio of professional audio, and the WA-412 continues the tradition with its transformer-coupled discrete-pass component topology.\u003cspan\u003e \u003c\/span\u003eStellar performance, top-of-the-line parts, and incredible value: that's the Warm formula—and the WA-412 gets it right.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\n\u003cstrong\u003e\u003cspan\u003eWhat can the WA-412 do for you?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\n \u003cp\u003e\u003cspan\u003eNeed to record dynamic and impactful drums?\u003cspan\u003e \u003c\/span\u003eWith a pair of WA-412s, you can track a complete multi-mic drum kit.\u003cspan\u003e \u003c\/span\u003ePack your rack with four of them and you have a console of killer preamps to track the entire band.\u003cspan\u003e \u003c\/span\u003eThe WA-412 provides all the features you need.\u003cspan\u003e \u003c\/span\u003eWarm Audio started with their vision of a classic scheme.\u003cspan\u003e \u003c\/span\u003eThen they added an output trim to each channel for precise control and creative gain staging.\u003cspan\u003e \u003c\/span\u003eAnother modern innovation is the tone switch on each channel, which changes the input impedance of the transformer to give you the choice between punchy vintage console tone and a more neutral, open sound.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan\u003eQuality components make the warm difference\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\n \u003cp\u003e\u003cspan\u003eYou know that if your front end isn't right, the rest of your signal chain doesn't matter.\u003cspan\u003e \u003c\/span\u003eMost professional engineers have invested a lot of money in a high-quality mic preamp;\u003cspan\u003e \u003c\/span\u003eit was simply the cost of entry to world-class sounds. \u003cspan\u003eNow\u003c\/span\u003e we're talking about performance and value, and Warm Audio has changed that equation.\u003cspan\u003e \u003c\/span\u003eThe company doesn't skimp on components, but orders parts and assembles in bulk, which keeps costs low and offers incredible value.\u003cspan\u003e \u003c\/span\u003eEach channel of the WA-412 features a fully discrete, socketed op-amp (yes - it's interchangeable with other op-amps) with high headroom and low distortion — a defining sonic characteristic of these vintage console pres.\u003cspan\u003e \u003c\/span\u003eAltran USA's custom transformers also contribute to the WA-412's authoritative sound.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003ch1\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cstrong\u003e\u003cspan mce-data-marked=\"1\"\u003eCharacteristics\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\u003cspan\u003eBased on a classic American console preamp design known for its punchy, bold sound;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eFully discrete, transformer-coupled through-hole component topology;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eCustom Altran USA premium input and output transformers on each channel;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eOp-amp with discrete socket X520 on all channels;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e65db gain;\u003cspan\u003e \u003c\/span\u003e20dB pad (mic and instrument input pads);\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eInputs: microphone (XLR), active instrument direct injection (1\/4\");\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003eOutputs: Transformer balanced XLR and TRS;\u003c\/span\u003e \u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eTone knob - changes input impedance from 600 ohms to 150 ohms;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003ePhantom power (+48 volts), selectable by channel;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eLED metering per channel;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003ePer-channel output adjustment knob for exact level control and sound sculpting\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eInternal power supply (grounded 3-pin IEC power cord).\u003c\/span\u003e\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cul class=\"table\"\u003e\n\n\u003cli class=\"table__row\"\u003ePreamp Type: \u003cspan class=\"table__cell\"\u003eSolid State;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eNumber of channels: \u003cspan class=\"table__cell\"\u003e4;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n \u003cli class=\"table__row\"\u003ePhantom power: \u003cspan class=\"table__cell\"\u003eyes\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog Inputs: \u003cspan class=\"table__cell\"\u003e4 x XLR (microphone), 4 x 1\/4 in. (Hi-Z);\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog Outputs: \u003cspan class=\"table__cell\"\u003e4 x XLR, 4 x 1\/4 in;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eRack Spaces: \u003cspan class=\"table__cell\"\u003e1U;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eManufacturer Part Number: \u003cspan class=\"table__cell\"\u003eWA-412.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"table__cell\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e638142859295\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":43644559884506,"sku":"WA-412","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/products\/1_44996d2a-63ad-4fed-addc-a5a8614cccbc.jpg?v=1674758513"},{"product_id":"pre-amplificador-de-microfone-warm-wa273-2-canais","title":"Warm Audio WA273 2 channel microphone preamp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 1073 legend lives on in Warm Audio's stunning WA273\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cdiv class=\"webtext-copywriters\" data-mce-fragment=\"1\"\u003e\n\n \u003cmeta charset=\"utf-8\"\u003e\n\n\u003cdiv class=\"webtext-block webtext-block--mixed-content\"\u003e\n\n \u003cp\u003e\u003cspan\u003eThe legendary 1073 wrote the book on mic preamps with personality.\u003cspan\u003e \u003c\/span\u003eThis venerable circuit helped define the energetic sound of '70s rock — and countless recordings and live shows since.\u003cspan\u003e \u003c\/span\u003eToday, that coveted tone can be yours for a song, with the Warm Audio WA273 Mic\/Line\/Instrument Preamp.\u003cspan\u003e \u003c\/span\u003eIn both design and performance, the 2-channel WA273 pays homage to the revered lineage of British consoles that started it all.\u003cspan\u003e \u003c\/span\u003eAcross the audio industry, the 1073 is considered the holy grail of preamps, with a rich, sweet and bold tonality ideal for making bold statements with your music.\u003cspan\u003e \u003c\/span\u003eAfter years of R\u0026amp;D, meticulous reverse engineering and countless hours of listening, Warm Audio have captured the sonic essence of this classic perfectly in their boutique WA273.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eHandcrafted with premium quality parts\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eBoasting gun-grade build quality with discrete, hand-wired Class A circuitry and top-of-the-line parts like UK-made Carnhill transformers, the WA273 has 80dB of gain on tap so you can capture smooth sources with your favorite tape.\u003cspan\u003e \u003c\/span\u003eYour tapes and condensers will sound heavenly;\u003cspan\u003e \u003c\/span\u003eyou'll be shocked to hear just how authoritative their dynamic mics sound.\u003cspan\u003e \u003c\/span\u003eEngaging the input stage and lowering the output gain enhances your tracks with tasty vintage-style coloring.\u003cspan\u003e \u003c\/span\u003eRounding out the feature set are instrument-per-channel jacks, polarity reversal, 48-volt phantom power, and switchable impedance for tonal variation and to optimally match a variety of microphones.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eOptimize every source — and microphone\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eThere's no source that doesn't sound amazing through the Warm Audio WA273.\u003cspan\u003e \u003c\/span\u003eWith judicious microphone selection and placement, the battery is larger than life;\u003cspan\u003e \u003c\/span\u003eThe bass DI and keyboards sound massive and the synths become trance-inducing;\u003cspan\u003e \u003c\/span\u003eelectric guitars soar;\u003cspan\u003e \u003c\/span\u003evocal rule.\u003cspan\u003e \u003c\/span\u003ePianos and guitars are resplendent.\u003cspan\u003e \u003c\/span\u003eOrchestral instruments—strings, woodwinds, brass, and percussion—reach an ineffable exuberance and dimension.\u003cspan\u003e \u003c\/span\u003eYou can even use the WA273 as a tone shaping tool to run full stems or mixes.\u003cspan\u003e \u003c\/span\u003eHear what the WA273 can do for your own recordings.\u003cspan\u003e \u003c\/span\u003eIt's transformative.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cdiv class=\"webtext-block webtext-switched webtext-block--media-left webtext-block--mixed-content\"\u003e\n\n\u003cdiv class=\"webtext__column webtext--text\"\u003e\n\n\u003ch1\u003e\u003cspan\u003eHot left no stone unturned\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eA vital but not much discussed component of these classic British circuits are the different types of capacitors and output transistors used.\u003cspan\u003e \u003c\/span\u003eTo maintain the integrity of the original circuitry, Warm decided to use high quality tantalum and polystyrene capacitors in the signal path and an output transistor choice that provides smoother results at higher gain settings than commonly found in pre-amps. 1073 style amplifiers of today.\u003cspan\u003e \u003c\/span\u003eAll things considered, Warm Audio's monumental effort to design a no-compromise product paid off.\u003cspan\u003e \u003c\/span\u003eYou'll appreciate it every time you plug in the WA273 and record.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eCharacteristics\u003c\/span\u003e\u003c\/h1\u003e\n\n \u003cul class=\"webtext-block--colcount\"\u003e\n\n\u003cli\u003e\u003cspan\u003eHand-assembled 1073-style preamps;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eTotally discrete, Class A, transformer-balanced circuitry;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003eUK made Carnhill transformers;\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e80dB of gain handles any type of microphone, including low-output ribbons;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eResistor-scaled rotary gain switches for easy recall\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003eTone knobs change input transformer impedance for mic optimization and tonal shaping;\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003ePolarity switches;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e48 volt phantom power;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\u003cspan\u003e4-position choke-based high-pass filters, switchable to Off, 50Hz, 80Hz, 160Hz or 300Hz\u003c\/span\u003e \u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eXLR microphone inputs;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003eLine-level TRS inputs;\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003eTS send\/receive insert connectors;\u003c\/li\u003e\n\n\u003cli\u003eXLR and TRS line level outputs;\u003c\/li\u003e\n\n\u003cli\u003eDI instrument inputs;\u003c\/li\u003e\n\n\u003cli\u003eOutput level controls;\u003c\/li\u003e\n\n\u003cli\u003eLevel indication LED meters;\u003c\/li\u003e\n\n\u003cli\u003eRugged chassis for 19-inch rackmount;\u003c\/li\u003e\n\n\u003cli\u003eGround lift switch;\u003c\/li\u003e\n\n\u003cli\u003eInternal IEC 115V\/230V power input.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003eSpecifications\u003c\/h1\u003e\n\n\u003cul class=\"table\"\u003e\n\n \u003cli class=\"table__row\"\u003ePreamp Type: \u003cspan class=\"table__cell\"\u003eClass A Solid State;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eNumber of channels: \u003cspan class=\"table__cell\"\u003e2;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eWith phantom power: yes;\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eWith polarity switch: yes;\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eWith equalizer: \u003cspan class=\"table__cell\"\u003ehigh-pass 50Hz, 80Hz, 160Hz, 300Hz;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog inputs: \u003cspan class=\"table__cell\"\u003e2 x XLR (microphone), 2 x 1\/4 in. (thread), 2 x 1\/4-in. (Hi-Z);\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog Outputs: \u003cspan class=\"table__cell\"\u003e2 x XLR, 2 x 1\/4 in;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eChannel inserts: yes \u003cspan class=\"table__cell\"\u003eim;\u003c\/span\u003e\n \u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eFrequency response: \u003cspan class=\"table__cell\"\u003e20Hz–20kHz (±0.5dB);\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eRack Spaces: \u003cspan class=\"table__cell\"\u003e1U;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003ePower source: \u003cspan class=\"table__cell\"\u003eStandard IEC AC cable;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eManufacturer Part Number: \u003cspan class=\"table__cell\"\u003eWA273.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":43644631482586,"sku":"WA273","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/products\/1_26b34378-48e8-4d1b-aa8a-d129d4ae60b5.jpg?v=1674759379"},{"product_id":"pre-amplificador-de-microfone-warm-tb12-tone-beast","title":"Warm Audio TB12 Tone Beast Mic Preamp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA wild beast of a preamp!\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cdiv class=\"webtext-block webtext-block--mixed-content\"\u003e\n\n \u003cp\u003e\u003cspan\u003eTuning the Warm Audio TB12 Tone Beast preamp is addictive. Based on the API 312 preamp design and premium Sport Cinemag transformers, the Tone Beast is already a stellar mic pre.\u003cspan\u003e \u003c\/span\u003eThe true magic of the Tone Beast, however, lies in its discrete multiple signal paths.\u003cspan\u003e \u003c\/span\u003eWith the touch of a button, you can select different transformers, op amps and capacitors and enjoy a multitude of tones in the process.\u003cspan\u003e \u003c\/span\u003ePush the Tone Beast and enjoy the harmonic distortion it lends to electric guitars, bass, or anything else that needs a little oomph.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eMultiple discrete signal paths provide unprecedented flexibility\u003c\/span\u003e\u003c\/h1\u003e\n\n \u003cp\u003e\u003cspan\u003eExperienced recording engineers love how different mic prees color their sound.\u003cspan\u003e \u003c\/span\u003eThey know that by combining different microphones with different preamps, they can make every source sound as good as possible.\u003cspan\u003e \u003c\/span\u003eWith the TB12 Tone Beast in your rack, you'll be able to do the same, thanks to its unprecedented versatility.\u003cspan\u003e \u003c\/span\u003eThe Tone Beast's flexibility is absolutely impressive.\u003cspan\u003e \u003c\/span\u003eFirstly, you can choose between a Melcor 1731 or a Jensen 918 op-amp.\u003cspan\u003e \u003c\/span\u003eThe 1731 is very colorful and breaks down quickly, while the 918 is pretty clean with just a touch of personality.\u003cspan\u003e \u003c\/span\u003eSecond, you can choose between a 100% steel or 50% nickel transformer.\u003cspan\u003e \u003c\/span\u003eThe steel output transformer is more colorful than the nickel transformer, especially when pushed.\u003cspan\u003e \u003c\/span\u003eYou can also bypass the transformers altogether for an ultra-clean tone.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eColoring — and why you want it\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eThe most coveted vintage consoles and outboard gear weren't transparent.\u003cspan\u003e \u003c\/span\u003eAnd that's the point behind Warm Audio Tone Beast.\u003cspan\u003e \u003c\/span\u003eColoring is, in many cases, desirable.\u003cspan\u003e \u003c\/span\u003eIf your mixes sound unprofessional, lacking in vibrancy and depth, you'll love Tone Beast.\u003cspan\u003e \u003c\/span\u003eSubjective listening tests played an important role in the development of this incredible preamp.\u003cspan\u003e \u003c\/span\u003eTest equipment can tell you a lot, and there's a point in the design process where you just have to let your ears call the shots.\u003cspan\u003e \u003c\/span\u003eYou wouldn't go with earplugs and an oscilloscope, would you?\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003ch1\u003e\u003cspan\u003eTop-notch performance — and incredible value\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cp\u003e\u003cspan\u003eWe understand that equipping your studio is a balancing act between performance and value.\u003cspan\u003e \u003c\/span\u003eWarm Audio achieves this too, and its Tone Beast delivers on both counts.\u003cspan\u003e \u003c\/span\u003eDespite its ultra-reasonable price, Warm Audio equipment is made in the USA and uses only the finest components such as genuine Cinemag input and output transformers.\u003cspan\u003e \u003c\/span\u003eLook at it this way: at this price, you can pack your rack with two or more Tone Beast preamps—perfect for recording live drums or more than one track at a time.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003eCharacteristics\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cul class=\"webtext-block--colcount\"\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eThe 312 preamp's unobtrusive design with Cinemag transformers delivers stellar tone;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003e\u003cspan\u003eChoice of Melcor or Jensen op-amps to vary the character;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eOp-amps are slotted\/swapable — add your own op-amps to the mix!\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eChoosing steel or nickel output transformers gives you more tonal options;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eChoice of tantalum or electrolytic capacitors for even more character variations;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTransformer bypass switch provides ultra-clean character;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTone switch allows for variable microphone impedance;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e80Hz high-pass filter cuts through mud and rumble;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003e\u003cspan\u003e20dB pad tames really loud sources;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eOutput attenuation for flexibility of saturating op-amps and transformers;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eInsert allows the use of inline processors;\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eThe LED VU meter lets you monitor your levels.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cspan\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\n\u003cul class=\"table\"\u003e\n\n\u003cli class=\"table__row\"\u003ePreamp Type: \u003cspan class=\"table__cell\"\u003eSolid State;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eNumber of channels: \u003cspan class=\"table__cell\"\u003e1;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eWith phantom power: yes;\u003cbr\u003e\n\n\u003c\/li\u003e\n\n \u003cli class=\"table__row\"\u003ePads: \u003cspan class=\"table__cell\"\u003e-20dB;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003ePolarity switch: yes \u003cspan class=\"table__cell\"\u003eim;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eEqualizer: \u003cspan class=\"table__cell\"\u003e80Hz high-pass filter;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog Inputs: \u003cspan class=\"table__cell\"\u003e2 x XLR (mic), 1 x 1\/4 in. TRS (Hi-Z), 1 x 1\/4 in. (line-in), 1 x 1\/4-in. TS (reception);\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eAnalog outputs: 1 \u003cspan class=\"table__cell\"\u003ex XLR, 1 x 1\/4 in. TRS, 1 x 1\/4 in. TS (send);\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eWith channel inserts: yes \u003cspan class=\"table__cell\"\u003eim;\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003eRack Spaces: \u003cspan class=\"table__cell\"\u003e1U;\u003c\/span\u003e\n \u003c\/li\u003e\n\n\u003cli class=\"table__row\"\u003ePower source: \u003cspan class=\"table__cell\"\u003eStandard IEC AC cable.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":43647653445850,"sku":"TB12-B","price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/products\/1_1f930e23-00a1-4704-8b51-7c406d7e4dea.jpg?v=1674848340"},{"product_id":"pre-amplificador-de-microfone-warm-audio-wa-2mpx-2-canais","title":"Warm Audio WA-2MPX 2-Channel Microphone Preamp","description":"\u003ch1\u003e \u003cstrong\u003eEnhance your recordings with the sound of a tape era legend\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp\u003eIt had to happen sooner or later. Leave it to the innovators at Warm Audio to build a microphone preamp based on the tube electronics of the iconic American professional tape machine that recorded countless radio-ready hits during the golden age of analog. From the rock pioneers of the '50s and '60s to the sound-savvy artists of today, the legendary “351” has been the secret sauce in the signal chain that delivers the warmth and vintage-flavored color we all seek in our own recordings. The Warm Audio WA-2MPX 2-channel mic\/line\/instrument tube preamp incorporates an original specification circuit design, authentically reproducing the coveted analog sounds of the original. Wired and hand-assembled using only premium, completely discrete components, including custom-spec, original-spec CineMag USA large-core transformers, the WA-2MPX delivers instant “sounds like a record” punch to tracks that blast straight from the speakers. speakers. But there's so much more to this incredible preamp that makes it indispensable for modern hybrid studio workflows.\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cstrong\u003eOriginal circuit design, full feature set\u003c\/strong\u003e\u003c\/h1\u003e\n\n \u003cp\u003eStaying true to the original circuit design, Warm Audio has added all the modern amenities that make the WA-2MPX impressively versatile in the studio. Used in conjunction with the preamp's gain and output level controls, the ribbon saturation switch makes it easy to adjust your gain structure from open and crystal clear to scorching. The addition of Warm Audio's classic tone switch allows you to modify the impedance of the microphone input transformer for microphone optimization or extra analog color. Also integrated are excellent-sounding instrument DI inputs per channel, useful high-pass and low-pass filters, polarity inversion and, of course, 48V phantom power. The WA-2MPX employs three premium vacuum tubes per channel: two 12AX7s and one 12AU7. In a stroke of engineering genius, Warm Audio has included a high-gain switch that wraps around the third tube, increasing the available gain from 70dB to an impressive 90dB. Now you can finally deploy your favorite, notoriously low-gain, passive ribbon microphones on quiet sources!\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cstrong\u003eSmooth and confident in operation\u003c\/strong\u003e\u003c\/h1\u003e\n\n \u003cp\u003eThe WA-2MPX graces any control room rack with its eye-catching looks that nod to the vintage tape recorder that inspired it. A model of simplicity, the WA-2MPX's thick brushed aluminum front panel features a logical, professional control layout with large, grippy buttons symmetrically flanking a pair of illuminated VU meters. Per channel, you have preamp gain and output level knobs, plus input selection knobs with mic, line, and instrument settings. Along the bottom are instrument connectors and a row of switches that activate the previously mentioned functions. In operation, the potentiometers and switches are silky smooth and confidence-inspiring. The WA-2MPX is a very professional package, but we wouldn't expect anything less from Warm Audio. At this point, we should point out that Warm Audio also makes a single-channel version, the WA-MPX, for those with modest channel count requirements.\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cstrong\u003eAn incredible value you don't want to pass up\u003c\/strong\u003e\u003c\/h1\u003e\n\n \u003cp\u003eWarm Audio never fails to delight audio professionals. With the WA-2MPX, they've done it again, offering a boutique-grade, feature-rich, hand-assembled tube preamp at an incredibly affordable price. The flexible gain structure gives you wide latitude for pushing the tubes, dialing in natural harmonic distortion and compression that imbues sources with authentic 15IPS coil-to-reel sound. The WA-2MPX offers mic\/line inputs and balanced outputs on XLR and TRS for easy integration into your studio or mobile rig. And its rugged metal chassis, rugged rack-mount front panel, and discreet hand-wired internal components make it an ideal preamp for venue and front-of-house recording. Equipped with a robust internal power supply and selectable 115\/230 voltage, the WA-2MPX is ready for action on whatever continent your productions take you to. Factor in its surprisingly low price and it all adds up to incredible value. Spice up your recordings with the sound of a legend: the Warm Audio WA-2MPX tube preamp.\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cstrong\u003eCharacteristics\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Authentic reproduction of the coveted “351” tape machine tube preamp;\u003c\/li\u003e\n\n\u003cli\u003e Fully discreet, wired, hand-built construction with 90dB of clean analog tube gain;\u003c\/li\u003e\n\n\u003cli\u003e Selectable tape saturation adds harmonic distortion and natural compression for authentic analog grain;\u003c\/li\u003e\n\n\u003cli\u003e Custom large-core CineMag USA transformers;\u003c\/li\u003e\n\n\u003cli\u003e The tone switch modifies the impedance of the microphone input transformer for microphone optimization or extra analog color;\u003c\/li\u003e\n\n\u003cli\u003e 600 ohm output attenuator;\u003c\/li\u003e\n\n\u003cli\u003e Vacuum tube complement, per channel: premium 12AX7 (x 2), 12AU7 (x 1);\u003c\/li\u003e\n\n\u003cli\u003e Preamp gain: 70dB, 90dB with high gain activated;\u003c\/li\u003e\n\n\u003cli\u003e High-gain control involves the third tube in the circuit, adding 20dB of clean gain for low-output microphones and quiet sources;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power 48V; polarity switch;\u003c\/li\u003e\n\n\u003cli\u003e 80 Hz high-pass filter controls unruly low frequencies;\u003c\/li\u003e\n\n \u003cli\u003e2 kHz low-pass filter concentrates power and warmth in the midrange for increased impact;\u003c\/li\u003e\n\n\u003cli\u003e Inputs: XLR Mic, TRS Line, TS Instrument;\u003c\/li\u003e\n\n\u003cli\u003e Outputs: line-level XLR and TRS;\u003c\/li\u003e\n\n\u003cli\u003e VU Meter Level Indication;\u003c\/li\u003e\n\n\u003cli\u003e Frequency response: 20Hz–20kHz;\u003c\/li\u003e\n\n\u003cli\u003e Each unit is hand-inspected and tested at Warm Audio HQ in Austin, Texas;\u003c\/li\u003e\n\n\u003cli\u003e Available as a single-channel unit, the WA-MPX.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Preamplifier type: tube;\u003c\/li\u003e\n\n\u003cli\u003e Number of channels: 2;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli\u003e Equalizer: 80 Hz high-pass filter, 2kHz low-pass filter;\u003c\/li\u003e\n\n\u003cli\u003e Tubes: 4 x 12AX7, 2 x 12AU7;\u003c\/li\u003e\n\n\u003cli\u003e Analog inputs: 2 x XLR, 2 x 1\/4 in. TRS, 2 x 1\/4 in. Hi-Z (front);\u003c\/li\u003e\n\n\u003cli\u003e Analog outputs: 2 x XLR, 2 x 1\/4 in.\u003c\/li\u003e\n\n\u003cli\u003e Frequency response: 20Hz–20kHz;\u003c\/li\u003e\n\n\u003cli\u003e Rack Spaces: 2U;\u003c\/li\u003e\n\n\u003cli\u003e Power source: Standard IEC AC cable.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":43844845306074,"sku":"WA-2MPX","price":1399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/products\/1_5f5f2aa3-9ed2-42d8-8709-62347088cf1e.jpg?v=1680719559"},{"product_id":"pre-amplificador-de-microfone-warm-audio-wa-mpx-1-canal","title":"Warm Audio WA-MPX 1-Channel Microphone Preamp","description":"\u003ch1\u003e \u003cstrong\u003eEnhance your recordings with the sound of a tape era legend\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp\u003eIt had to happen sooner or later. Leave it to the innovators at Warm Audio to build a microphone preamp based on the tube electronics of the iconic American professional tape machine that recorded countless radio-ready hits during the golden age of analog. From the rock pioneers of the '50s and '60s to the sound-savvy artists of today, the legendary “351” has been the secret sauce in the signal chain that delivers the warmth and vintage-flavored color we all seek in our own recordings. The Warm Audio WA-MPX 1-channel mic\/line\/instrument tube preamp incorporates an original specification circuit design, authentically reproducing the coveted analog sounds of the original. Wired and hand-assembled using only premium, completely discrete components, including custom-spec, original-spec CineMag USA large-core transformers, the WA-MPX delivers instant “sounds like a record” punch to tracks that blast straight from the speakers. speakers. But there's so much more to this incredible preamp that makes it indispensable for modern hybrid studio workflows.\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cstrong\u003eOriginal circuit design, full feature set\u003c\/strong\u003e\u003c\/h1\u003e\n\n \u003cp\u003eStaying true to the original circuit design, Warm Audio has added all the modern amenities that make the WA-MPX impressively versatile in the studio. Used in conjunction with the preamp's gain and output level controls, the ribbon saturation switch makes it easy to adjust your gain structure from open and crystal clear to scorching. The addition of Warm Audio's classic tone switch allows you to modify the impedance of the microphone input transformer for microphone optimization or extra analog color. Also integrated are a great-sounding instrument DI input, useful high-pass and low-pass filters, polarity inversion and, of course, 48V phantom power. The WA-MPX employs three premium vacuum tubes: two 12AX7s and one 12AU7. In a stroke of engineering genius, Warm Audio has included a high-gain switch that wraps around the third tube, increasing the available gain from 70dB to an impressive 90dB. Now you can finally deploy your favorite low-gain passive ribbon microphone on quiet sources!\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cstrong\u003eSmooth and confident in operation\u003c\/strong\u003e\u003c\/h1\u003e\n\n \u003cp\u003eThe WA-MPX graces any control room rack with its eye-catching looks that nod to the vintage tape recorder that inspired it. A model of simplicity, the WA-MPX's thick brushed aluminum front panel features a logical, professional control layout with large, grippy buttons and a warmly lit VU meter. On the left, you have a rotary input selector switch with microphone, line, and instrument settings. To its right are the instrument connector and seven switches that activate the previously mentioned functions. And finally, there's that beautiful VU meter flanked by preamp gain and output level knobs. In operation, the potentiometers and switches are silky smooth and confidence-inspiring. The WA-MPX is a very professional package, but we wouldn't expect anything less from Warm Audio. And for professionals with higher channel count requirements, we recommend the WA-2MPX.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003ch1\u003e\u003cstrong\u003eAn incredible value you don't want to pass up\u003c\/strong\u003e\u003c\/h1\u003e\n\n \u003cp\u003eWarm Audio never fails to delight audio professionals. With the WA-MPX, they've done it again, offering a boutique-grade, feature-rich, hand-assembled tube preamp at an incredibly affordable price. The flexible gain structure gives you wide latitude for pushing the tubes, dialing in natural harmonic distortion and compression that imbues sources with authentic 15IPS coil-to-reel sound. The WA-MPX offers mic\/line inputs and balanced outputs on XLR and TRS for easy integration into your studio or mobile rig. And its rugged metal chassis, rugged rack-mount front panel, and discreet hand-wired internal components make it an ideal preamp for venue and front-of-house recording. Equipped with a robust internal power supply and selectable 115\/230 voltage, the WA-MPX is ready for action on whatever continent your productions take you to. Factor in its surprisingly low price and it all adds up to incredible value. Spice up your recordings with the sound of a legend: the Warm Audio WA-MPX tube preamp.\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cstrong\u003eCharacteristics\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Authentic reproduction of the coveted “351” tape machine tube preamp;\u003c\/li\u003e\n\n\u003cli\u003e Fully discreet, wired, hand-built construction with 90dB of clean analog tube gain;\u003c\/li\u003e\n\n\u003cli\u003e Selectable tape saturation adds harmonic distortion and natural compression for authentic analog grain;\u003c\/li\u003e\n\n\u003cli\u003e Custom large-core CineMag USA transformers;\u003c\/li\u003e\n\n\u003cli\u003e The tone switch modifies the impedance of the microphone input transformer for microphone optimization or extra analog color;\u003c\/li\u003e\n\n\u003cli\u003e 600 ohm output attenuator;\u003c\/li\u003e\n\n\u003cli\u003e Vacuum tube complement: premium 12AX7 (x 2), 12AU7 (x 1);\u003c\/li\u003e\n\n\u003cli\u003e Preamp gain: 70dB, 90dB with high gain activated;\u003c\/li\u003e\n\n\u003cli\u003e High-gain control involves the third tube in the circuit, adding 20dB of clean gain for low-output microphones and quiet sources;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power 48V; polarity switch;\u003c\/li\u003e\n\n\u003cli\u003e 80Hz high-pass filter controls unruly low frequencies;\u003c\/li\u003e\n\n \u003cli\u003e2kHz low-pass filter concentrates power and warmth in the midrange to increase impact;\u003c\/li\u003e\n\n\u003cli\u003e Inputs: XLR Mic, TRS Line, TS Instrument;\u003c\/li\u003e\n\n\u003cli\u003e Outputs: line-level XLR and TRS;\u003c\/li\u003e\n\n\u003cli\u003e VU Meter Level Indication;\u003c\/li\u003e\n\n\u003cli\u003e Frequency response: 20Hz–20kHz;\u003c\/li\u003e\n\n\u003cli\u003e Each unit is hand-inspected and tested at Warm Audio HQ in Austin, Texas;\u003c\/li\u003e\n\n\u003cli\u003e Available as a 2-channel unit, the WA-2MPX.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Preamplifier type: tube;\u003c\/li\u003e\n\n\u003cli\u003e Number of channels: 1;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli\u003e equalizer: 80Hz high-pass filter, 2kHz low-pass filter;\u003c\/li\u003e\n\n\u003cli\u003e Tubes: 2 x 12AX7, 1 x 12AU7;\u003c\/li\u003e\n\n\u003cli\u003e Analog inputs: 1 x XLR, 1 x 1\/4 in. TRS, 1 x 1\/4 in. Hi-Z (front);\u003c\/li\u003e\n\n\u003cli\u003e Analog Outputs: 1 x XLR, 1 x 1\/4 inch TRS;\u003c\/li\u003e\n\n\u003cli\u003e Frequency response: 20Hz–20kHz;\u003c\/li\u003e\n\n\u003cli\u003e Rack Spaces: 2U;\u003c\/li\u003e\n\n\u003cli\u003e Power source: Standard IEC AC cable.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":43844854055130,"sku":"WA-MPX","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/products\/1_2f98c34e-5f6d-41d3-b762-6f029b7360eb.jpg?v=1680720213"},{"product_id":"pre-amplificador-de-microfone-warm-audio-wa12-mkii-black","title":"Warm Audio WA12 MKII microphone preamp black","description":"\u003ch1\u003e \u003cstrong\u003eGreat preamp, incredible value\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cp\u003e Many engineers prefer microphone preamps that do something. And no, we're not talking about increasing gain — they all do that. We're talking about improving the sound of your signal. Character. Coloring. Whatever you want to call it, it's that inimitable sonic quality that the most coveted classic consoles and outboard gear had. Warm Audio's WA12 MKII preamp has it, shaping your sound with a thrilling, vibrant warmth that makes any vocal or instrument sit proudly in your mix. We like the Warm Audio WA12 MKII and — especially considering its moderate price — we're sure you will too.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eColoring — and why you want it\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp\u003eThe most coveted vintage consoles and external equipment were not transparent. And that's the point behind the Warm Audio WA12 MKII. Coloring is, in many cases, desirable. If your mixes sound unprofessional, lacking vibrancy and depth, you'll love the WA12 MKII. Subjective listening tests played an important role in the development of this incredible preamp. Test equipment can tell you a lot, and there is a point in the design process when you need to let your ears call the shots. You wouldn't go with earplugs and an oscilloscope, would you?\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eImpedance switching offers sonic versatility\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp\u003eWarm Audio equipped the WA12 MKII with a secret weapon: a Tone knob that changes the input impedance from 600 to 150 ohms. Pressing this button changes the tone of the mic and hi-Z inputs, allowing you to individually optimize each of your mics and giving you a measure of sonic versatility without having to resort to EQ. And speaking of microphones, with 71dB of gain, the WA12 MKII has enough to handle your favorite ribbon mics.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eTop-tier performance — incredible value\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp\u003eWe understand that equipping your studio is a balancing act between performance and value. Warm Audio achieves this, and its WA12 MKII delivers on both counts. Despite its ultra-reasonable price, Warm Audio equipment is made using only the best components, such as genuine Cinemag input and output transformers. Look at it this way: At this price, you can pack your rack with two or more WA12 MKII preamps—an excellent idea if you record live drums or more than one track at a time.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Fully discreet design with a robust 71dB gain to power all your microphones — even ribbons;\u003c\/li\u003e\n\n\u003cli\u003e X731 high voltage operational amplifier, based on the classic Melcor 1731;\u003c\/li\u003e\n\n\u003cli\u003e The Tone knob offers tonal versatility, switching input impedance from 600 to 150 ohms;\u003c\/li\u003e\n\n\u003cli\u003e 48 volt phantom power, 20dB pad and polarity inversion switches;\u003c\/li\u003e\n\n\u003cli\u003e Balanced microphone level input: XLR or 1\/4″ TRS;\u003c\/li\u003e\n\n \u003cli\u003eBalanced outputs: XLR and 1\/4″ TRS;\u003c\/li\u003e\n\n\u003cli\u003e True 2 Mohm hi-Z input on front panel — great for guitars, bass, keyboards;\u003c\/li\u003e\n\n\u003cli\u003e Custom Cinemag input and output transformers;\u003c\/li\u003e\n\n\u003cli\u003e LED gain indicator.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Preamplifier type: solid-state microphone\/instrument preamplifier;\u003c\/li\u003e\n\n\u003cli\u003e Number of channels: 1;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power: Yes;\u003c\/li\u003e\n\n\u003cli\u003e Pads: -20dB;\u003c\/li\u003e\n\n\u003cli\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli\u003e Equalizer: Tone impedance switch;\u003c\/li\u003e\n\n\u003cli\u003e Analog inputs: 1 x XLR (microphone), 1 x 1\/4 in. (Hi-Z);\u003c\/li\u003e\n\n\u003cli\u003e Analog outputs: 1 x 1\/4 in. TRS, 1 x XLR;\u003c\/li\u003e\n\n\u003cli\u003e Power source: Standard IEC AC cable.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":43844901732570,"sku":"WA12 MKII BLACK","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/products\/WarmAudioWA12MKII_1.png?v=1680723657"},{"product_id":"pre-amplificador-de-microfone-api-3124v-4-canais","title":"API 3124V 4-Channel Microphone Preamplifier","description":"\u003cp\u003eLike the API 3124+, the 3124V is a compact, high-quality 4-channel microphone preamp. It is equipped with the AP2516 input transformer and proprietary output transformer found in all API mic pres and across the entire API product line. Additionally, the 3124V offers variable output level control and selectable 3:1 output transformer selection. The unit has an internal 48-volt phantom power source, which can be selected for each channel, as well as -20dB pad switches that affect the microphone and Hi-Z instrument inputs, both located on the front panel.\u003c\/p\u003e\n\n \u003cp\u003eThe 3124V also has up to 65dB of gain. Additionally, Hi-Z front panel inputs feed directly into op amps, which allows a low-level input such as a guitar or bass to be amplified without a corresponding transformer or direct box. These Hi-Z inputs can have levels up to +20dBu, making them perfect for keyboards and other high-end devices. The microphone preamp outputs are on the male XLR connectors on the rear panel.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Classic API circuit design;\u003c\/li\u003e\n\n\u003cli\u003e Uses API 2520 operational amplifiers;\u003c\/li\u003e\n\n\u003cli\u003e Variable output level control;\u003c\/li\u003e\n\n\u003cli\u003e 3:1 output transformer tap selection;\u003c\/li\u003e\n\n\u003cli\u003e Four female XLR microphone inputs;\u003c\/li\u003e\n\n\u003cli\u003e Four 1\/4-inch Hi Z instrument inputs on the front panel\u003c\/li\u003e\n\n\u003cli\u003e Front panel polarity switches;\u003c\/li\u003e\n\n\u003cli\u003e -20dB pad switches on front panel;\u003c\/li\u003e\n\n\u003cli\u003e Front panel microphone\/instrument switches;\u003c\/li\u003e\n\n \u003cli\u003e48V power switches on front panel.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Preamplifier Type: Solid State;\u003c\/li\u003e\n\n\u003cli\u003e Number of channels: 4;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli\u003e Analog inputs: 4 x 1\/4 in. (Hi-Z), 4 x XLR (microphone);\u003c\/li\u003e\n\n\u003cli\u003e Analog outputs: 4 x XLR;\u003c\/li\u003e\n\n\u003cli\u003e Rack Spaces: 1U;\u003c\/li\u003e\n\n\u003cli\u003e Power source: standard IEC AC cable;\u003c\/li\u003e\n\n\u003cli\u003e Depth: 11 in.;\u003c\/li\u003e\n\n\u003cli\u003e Weight: 4.71kg.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":43930979107034,"sku":"3124V","price":3130.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/Imagem_5d805295-1e54-4498-acc3-991e23893ecc.png?v=1685474814"},{"product_id":"pre-amplificador-de-microfone-api-3122v-2-canais","title":"API 3122V 2-Channel Microphone Preamplifier","description":"\u003cp\u003eThe new 3122V delivers 2 channels of API's signature analog sound and features the same legendary circuit design found in the 3124V and 3124MV, as well as the 312, 512V, and 512c microphone preamps. In addition to the familiar combination of 2520 Op Amps and proprietary output transformers that provide all API mic preamps with punch and massive headroom, the 3122V also includes front and rear XLR panel and 1\/4-inch inputs. (conveniently selectable on the front panel), a fixed-frequency HP filter, GAIN, and the popular variable output level control, as well as 48V, POL, and PAD. Rounding out the extensive feature set are the 3:1 output Tap Transformer and 2 impressive analog VU meters with a separate peak LED.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 2 channels of classic API circuit design;\u003c\/li\u003e\n\n\u003cli\u003e API 2520 and output transformer;\u003c\/li\u003e\n\n\u003cli\u003e Proprietary AP2516 input transformer;\u003c\/li\u003e\n\n\u003cli\u003e Variable output control;\u003c\/li\u003e\n\n \u003cli\u003eFixed frequency high-pass filter;\u003c\/li\u003e\n\n\u003cli\u003e Vintage style analog VU meters;\u003c\/li\u003e\n\n\u003cli\u003e 3:1 output transformer tap selection;\u003c\/li\u003e\n\n\u003cli\u003e Two selectable front or rear XLR inputs;\u003c\/li\u003e\n\n\u003cli\u003e 1\/4-inch Hi Z instrument input on the front panel;\u003c\/li\u003e\n\n\u003cli\u003e Microphone\/instrument select switch on front panel;\u003c\/li\u003e\n\n\u003cli\u003e Front panel polarity switch;\u003c\/li\u003e\n\n\u003cli\u003e 48V power switch on front panel;\u003c\/li\u003e\n\n\u003cli\u003e -20dB pad switch on front panel;\u003c\/li\u003e\n\n\u003cli\u003e Spike LED;\u003c\/li\u003e\n\n\u003cli\u003e Maximum 68dB gain.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Preamp Type: Solid State\u003c\/li\u003e\n\n\u003cli\u003e Number of channels: 2;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli\u003e Pads: -20dB\u003c\/li\u003e\n\n\u003cli\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli\u003e Analog inputs: 2 x XLR-1\/4in combo, 2 x XLR;\u003c\/li\u003e\n\n\u003cli\u003e Analog outputs: 2 x XLR;\u003c\/li\u003e\n\n\u003cli\u003e Frequency response: 20Hz–40kHz;\u003c\/li\u003e\n\n\u003cli\u003e Rack Spaces: 1U;\u003c\/li\u003e\n\n\u003cli\u003e Power source: Standard IEC AC cable.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":43932479127770,"sku":"3122V","price":2085.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/Imagem_b7657f92-7599-4277-8584-17b269d3f568.png?v=1685566474"},{"product_id":"pre-amplificador-de-microfone-api-512c","title":"API 512c microphone preamplifier","description":"\u003cp\u003eThe API 512c is a microphone\/line\/instrument preamp, world famous for its ability to provide a low noise (-129 EIN) and an exceptionally good sounding front end for all types of audio applications. Sonically, it offers the distinctive API sound at an affordable price and in the scalable API 500 Series format. Offering an impressive 65dB of gain, the 512c includes phantom power, switchable polarity, -20dB pad, and mic or instrument\/line selector. Front-panel XLR and 1\/4-inch connectors combined with rear-panel microphone access allow additional flexibility when installed in an API ® lunch box, API 10-position 500V vertical rack, or an API console.\u003c\/p\u003e\n\n \u003cp\u003eThe API 512c remains true to the circuit designs of API founder Saul Walker. Expertly combining these circuits with API's proprietary transformers and the unparalleled 2520 op amp, the 512c is a highly musical, rich-sounding analog microphone pre, equally at home in commercial recording spaces and smaller home studios. Fully featured and still assembled by hand, the 512c exhibits the reliability, long life and uniformity that are characteristics of all API products.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Microphone preamplifier with 65dB of gain;\u003c\/li\u003e\n\n\u003cli\u003e Front and rear panel microphone input access;\u003c\/li\u003e\n\n\u003cli\u003e Line\/instrument preamp with 45dB of gain;\u003c\/li\u003e\n\n\u003cli\u003e Front panel line\/instrument input;\u003c\/li\u003e\n\n\u003cli\u003e LED VU meter to monitor output level;\u003c\/li\u003e\n\n\u003cli\u003e 20dB pad switch, applies to microphone\/line\/instrument;\u003c\/li\u003e\n\n\u003cli\u003e Switchable power Phantom 48v;\u003c\/li\u003e\n\n\u003cli\u003e Traditional API fully discrete circuit design with 2520 Op Amp;\u003c\/li\u003e\n\n \u003cli\u003eFeatures API's exclusive five-year warranty.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Preamplifier type: solid state;\u003c\/li\u003e\n\n\u003cli\u003e Number of channels: 1;\u003c\/li\u003e\n\n\u003cli\u003e Frequency response: 30Hz–20kHz;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power: Yes;\u003c\/li\u003e\n\n\u003cli\u003e Analog inputs: 1 x 1\/4 in.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":43932499378394,"sku":"512C","price":850.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/Imagem_77866c2a-785f-412f-90f4-0992b555848b.png?v=1685567860"},{"product_id":"pre-amplificador-de-microfone-api-312","title":"API 312 microphone preamplifier","description":"\u003cp\u003e The 312 is one of API's most sought after and famous microphone preamps. First introduced in the 1970s, it is well known and respected throughout the recording industry and is the building block of the modern 3124 rack unit.\u003c\/p\u003e\n\n\u003cp\u003e Based on API co-founder Saul Walker's original designs, the API 312 Mic Pre combines our proprietary 2520 operational amplifiers and transformers. It delivers the analog warmth, massive headroom, and unmistakable sound that API is known for, in a convenient 500 Series format.\u003c\/p\u003e\n\n \u003cp\u003eFollowing the success of the 312 50th Anniversary Edition, this standard production version offers classic API sound at an affordable price. Like all API products, the 312 is backed by API's exclusive five-year warranty.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e API's Classic 312 microphone preamp in a 500 series module;\u003c\/li\u003e\n\n\u003cli\u003e Vintage style analog VU meter;\u003c\/li\u003e\n\n\u003cli\u003e Maximum 69dB of gain;\u003c\/li\u003e\n\n\u003cli\u003e Traditional API fully discrete circuit design with 2520 Op Amp;\u003c\/li\u003e\n\n\u003cli\u003e Proprietary AP2516 input transformer;\u003c\/li\u003e\n\n\u003cli\u003e 20 dB pad switch;\u003c\/li\u003e\n\n\u003cli\u003e 3:1 output transformer tap selection;\u003c\/li\u003e\n\n\u003cli\u003e Switchable 48V phantom power;\u003c\/li\u003e\n\n\u003cli\u003e Spike LED;\u003c\/li\u003e\n\n\u003cli\u003e Five-year API warranty.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Preamplifier type: solid state;\u003c\/li\u003e\n\n\u003cli\u003e Number of channels: 1;\u003c\/li\u003e\n\n\u003cli\u003e Frequency response: 20Hz–40kHz (±0.5dB);\u003c\/li\u003e\n\n\u003cli\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli\u003e Pads: -20dB;\u003c\/li\u003e\n\n\u003cli\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli\u003e Module slot size: single;\u003c\/li\u003e\n\n\u003cli\u003e Power usage: ±16 VDC, 55 mA.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":43935413338330,"sku":"API 312","price":755.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/Imagem_2303d446-1350-44c1-9b33-ce4e07987340.png?v=1685646521"},{"product_id":"pre-amplificador-de-microfone-api-512v","title":"API 512V microphone preamplifier","description":"\u003cp\u003eThe API 512v is a mic\/line\/instrument preamp, world famous for its ability to provide a low noise (-129 EIN) front end and exceptionally good sound for all types of audio applications. Sonically, it delivers the instantly recognizable API sound at an affordable price and in the scalable API 500 Series format. Offering an impressive 65dB of gain, the 512v includes front-panel variable output control, switchable 3:1 output transformer selection, phantom power, switchable polarity, -20dB pad, and mic or instrument\/line selector. The front panel Combo-type XLR and 1\/4-inch connector combined with rear panel microphone access allows for additional flexibility when installed in an API® lunch box, API 10-position 500V vertical rack, or in an API console.\u003c\/p\u003e\n\n \u003cp\u003eThe API 512v stays true to API founder Saul Walker's circuit designs. Expertly combining these circuits with API's proprietary transformers and the unrivaled 2520 operational amplifier, the 512v is a highly musical, rich-sounding analog mic pre, equally at home in commercial recording spaces and smaller home studios. Fully featured and still assembled by hand, the 512v exhibits the reliability, long life and uniformity that are characteristics of all API products.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Microphone preamplifier with 65dB of gain;\u003c\/li\u003e\n\n\u003cli\u003e Variable output level control;\u003c\/li\u003e\n\n\u003cli\u003e 3:1 output transformer tap selection;\u003c\/li\u003e\n\n\u003cli\u003e Front and rear panel microphone input access;\u003c\/li\u003e\n\n\u003cli\u003e Line\/instrument preamp with 45dB of gain;\u003c\/li\u003e\n\n\u003cli\u003e Front panel combo style XLR + 1\/4 inch line\/instrument input;\u003c\/li\u003e\n\n\u003cli\u003e LED VU meter for gain level indication;\u003c\/li\u003e\n\n \u003cli\u003e20dB pad switch, applies to microphone\/line\/instrument;\u003c\/li\u003e\n\n\u003cli\u003e Switchable phantom power 48V;\u003c\/li\u003e\n\n\u003cli\u003e Traditional API fully discrete circuit design with 2520 Op Amp;\u003c\/li\u003e\n\n\u003cli\u003e Features API's exclusive five-year warranty.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Preamplifier type: API 500 series solid state;\u003c\/li\u003e\n\n\u003cli\u003e Number of channels: 1;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli\u003e Pads: -20dB;\u003c\/li\u003e\n\n\u003cli\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli\u003e Analog inputs: 1 x XLR-1\/4 in combo (mic\/line\/instrument);\u003c\/li\u003e\n\n\u003cli\u003e Features: Output transformer selection (3:1 tap).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":43935434801370,"sku":"512V","price":945.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/Imagem_2ed94032-145d-457d-aa0a-b9f859d32733.png?v=1685647260"},{"product_id":"pre-amplificador-de-microfone-api-3124mv-4-canais","title":"API 3124MV 4-Channel Microphone Preamplifier","description":"\u003cp\u003e Both the 3124V and 3124MV are designed with the professional engineer in mind. Both units offer four channels of the highest quality microphone preamp possible. However, the 3124MV provides an additional audio mixer with a transformer-balanced output, keeping the unit size and price reasonable. Both models are equally at home in the control room, recording studio and truck, or on stage.\u003c\/p\u003e\n\n \u003cp\u003eThe 3124MV utilizes the same microphone preamp circuitry used in all API consoles. It is equipped with the AP2516 input transformer and proprietary output transformer found in all API mic pres and across the entire API product line. The unit offers variable output level control, selectable 3:1 output transformer selection, and an internal 48-volt phantom power source, which is front panel switchable for each channel. Also provided is a -20 dB pad switch on the front panel that affects both the microphone and line input. preamplifier output and mixer input.\u003c\/p\u003e\n\n \u003cp\u003eLike the 3124V, the 3124MV offers up to 65 dB of gain. The Hi-Z front panel input goes directly to the op-amp, allowing a low-level input, such as a guitar or bass, to be amplified without a matching transformer or direct box. This Hi-Z input can accept input levels of up to +20 dBu, making it perfect for keyboards and other high-end devices. The rear output is an XLR connector.\u003c\/p\u003e\n\n\u003cp\u003e Additionally, the 3124MV adds a stereo panner with a level control and a post-fader aux send. Stereo panners and aux sends are routed to the master output controls and then to the rear panel connectors. A stereo AUX return is provided to cascade additional effects or mixers back to more inputs. The unique stereo auxiliary return control acts to balance the left\/right signal while remaining stereo. Can also be used as mono return.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n \u003cli\u003eClassic API circuit design;\u003c\/li\u003e\n\n\u003cli\u003e Uses API 2520 operational amplifiers;\u003c\/li\u003e\n\n\u003cli\u003e Variable output level control;\u003c\/li\u003e\n\n\u003cli\u003e 3:1 output transformer tap selection;\u003c\/li\u003e\n\n\u003cli\u003e Four XLR microphone inputs;\u003c\/li\u003e\n\n\u003cli\u003e Four 1\/4-inch unbalanced inputs;\u003c\/li\u003e\n\n\u003cli\u003e Front panel polarity switch;\u003c\/li\u003e\n\n\u003cli\u003e 20 dB pad switch on front panel;\u003c\/li\u003e\n\n\u003cli\u003e Front panel mic\/line switch;\u003c\/li\u003e\n\n\u003cli\u003e Front panel 48V power switch.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Preamplifier type: solid state;\u003c\/li\u003e\n\n\u003cli\u003e Number of channels: 4;\u003c\/li\u003e\n\n\u003cli\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli\u003e Analog inputs: 4 x 1\/4 in. (Hi-Z), 4 x XLR (mic), 1 x 1\/4 in. (auxiliary return);\u003c\/li\u003e\n\n\u003cli\u003e Analog outputs: 4 x XLR, 1 x 1\/4 in. (auxiliary send), 2 x 1\/4 in. (stereo output);\u003c\/li\u003e\n\n\u003cli\u003e Channel inserts: yes;\u003c\/li\u003e\n\n\u003cli\u003e Rack Spaces: 1U;\u003c\/li\u003e\n\n\u003cli\u003e Power source: Standard IEC AC cable.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":43937406025946,"sku":"3124MV","price":3065.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/Imagem_8054a4bb-c2d1-40b5-8cf2-b08d3992d8c0.png?v=1685743645"},{"product_id":"pre-amplificador-de-microfone-api-select-t12-2-canais","title":"API Select T12 2-Channel Microphone Preamp","description":"\u003cp data-mce-fragment=\"1\"\u003eThe API Select T12 is a classic 2-channel, all-tube Class A microphone preamp designed with API's proprietary AP2516 transformer in the input stage and a custom API transformer in the output stage. Built with 12AT7WC and 12BH7 dual triode vacuum tubes, the T12 represents an exciting new variation on API preamp technology and provides the user with unique tonal options. The T12 can handle a wide range of production applications, including stereo operation. Carefully engineered for classic tube sound and performance, the T12 delivers API's famous warmth, punch, and clarity in an all-new way and features our industry-exclusive five-year warranty.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e All-tube Class A microphone preamp;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Proprietary AP2516 input transformer;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Audio circuit uses 12AT7WC and 12BH7, dual triode tubes;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eCustom API output transformer;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Variable microphone input impedance;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Switchable 48-volt phantom power\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 1\/4 inch instrument input unbalanced and high impedance;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e MIC\/HI-Z input switch;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e -20dB input standard;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 11-step preamp gain control;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Low cut filter with 3 fixed frequencies;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 11-step output trim with 0.5 dB steps for precise control;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Detained controls for accurate recall and channel matching;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e LED peak indicator;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Classic analog VU meters for output;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 1\/4 XLR and TRS output connections.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: tube;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 2;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -20dB\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Equalizer: Low cut (60Hz, 120Hz, 240Hz);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Tubes: 12AT7WC, 12BH7;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 2 x XLR, 2 x 1\/4 in. TRS, 2 x 1\/4 in. TS (Hi-Z);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 2 x XLR, 2 x 1\/4 inch TRS;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Frequency response: 20Hz–30kHz;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eRack spaces: 2U;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power source: standard IEC AC cable.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":43945503031514,"sku":"","price":2085.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_87cb3beb-ec8c-4a72-8e6b-e77c3dfc520a.png?v=1686240146"},{"product_id":"pre-amplificador-de-microfone-black-lion-audio-b12a","title":"Black Lion Audio B12A Microphone Preamp","description":"\u003ch1\u003e \u003cstrong data-mce-fragment=\"1\"\u003eFour Channels of Classic 312 Punch\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eWith its design inspired by a legendary vintage American console microphone preamp, the API 312A, Black Lion Audio's B12A Quad 4-Channel Preamp packs a big punch. With its transformer-coupled input and output stages and 70dB of gain on tap, the B12A Quad delivers large helpings of low-noise headroom. Now you'll finally be able to use your low-output ribbon microphones on quiet sources! The B12A Quad conveys a bold sonic assertiveness that reinforces any signal you pass through it. This is the sound that launched a thousand hits.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eBig iron upgrades and more\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe B12A Quad is a 4-channel version of the company's single-channel B12A Mk2. More than just another 312A clone, the B12A Quad combines vintage-inspired sounds and modern features in a rugged 1RU chassis with a smart feature set that will satisfy the most discerning audio engineers. A revised gain stage and lower noise floor deliver cleaner sound with less distortion, while CineMag input and output transformers keep things warm, creamy, and robust. Two front-panel DIs bring harmonic richness to guitars, basses, and synths, while stepped input gain and variable output attenuation give precise control over transformer saturation. Per-channel metering displays how hot your output signal is hitting the parallel TRS\/XLR outputs, while an external power supply keeps noise out of its ranges. Here we dig the Black Lion B12A Quad. It's an incredible value and sounds great. Mount one or two of them on your rack and get to work.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExcellent hot-mod preamp value\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Since 2006, Black Lion Audio has been helping musicians and engineers improve the sound of their gear, and they've built a solid reputation for getting world-class sound from modestly priced gear. As a team that got its start making acclaimed mods, Black Lion, unsurprisingly, produces innovative audio gear of its own design that consistently outperforms its price range.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 4-channel preamplifier with USA CineMag input and output transformers;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Designed and assembled in the USA;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Bandwidth (1kHz, 150 ohm unbalanced source, unweighted): 10Hz–30kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 70dB of gain handles any type of microphone, including low output ribbons;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Gain and output controls per channel, phantom power, polarity inversion, 18dB pad, hi-Z switch and DI input.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n \u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 4;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pillows: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 2 x 1\/4\" (Hi-Z), 4 x XLR;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 4 x XLR, 4 x 1\/4\";\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack spaces: 1U;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power source: 5-pin AC adapter power supply (included).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":43994627866842,"sku":"","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_46fcb390-c06d-4eaf-ad97-02a4acf28012.jpg?v=1689100260"},{"product_id":"pre-amplificador-de-microfone-black-lion-audio-b173-quad-4-canais","title":"Black Lion Audio B173 Quad 4-Channel Microphone Preamp","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePack your rack with the sound of '73\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eWith its design inspired by a legendary vintage British console microphone preamp, the 1073, the Black Lion B173 Quad packs a huge punch, delivering the muscular bass, assertive mids and bright highs characteristic of a vintage 1073 in an affordable 2RU unit. The B173 Quad features high-quality parts and Class A discrete circuitry with transformer-coupled input and output stages. With 70dB of gain on tap, the B173 Quad delivers large helpings of low-noise headroom. Now you'll finally be able to use your low-output ribbon microphones on quiet sources! The B173 Quad conveys a bold sonic assertiveness that reinforces any signal you pass through it. This is the sound that launched a thousand hits.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eBig iron upgrades and more\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe B173 Quad is a 4-channel version of the company's single-channel model. More than just another 1073 clone, the B173 Quad combines vintage-inspired sounds and modern features in a rugged 2RU chassis with a smart feature set that will satisfy the most discerning audio engineers. A revised gain stage and lower noise floor deliver cleaner sound with less distortion, while CineMag input and output transformers keep things warm, creamy, and robust. Two front-panel DIs bring harmonic richness to guitars, basses, and synths, while stepped input gain and variable output attenuation give precise control over transformer saturation. Per-channel metering displays how hot your output signal is hitting the parallel TRS\/XLR outputs, while an external power supply keeps noise out of its ranges. Here we dig the Black Lion B173 Quad. It's an incredible value and sounds great. Mount one or two of them on your rack and get to work.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExcellent hot-mod preamp value\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Since 2006, Black Lion Audio has been helping musicians and engineers improve the sound of their gear, and they've built a solid reputation for getting world-class sound from modestly priced gear. As a team that got its start making acclaimed mods, Black Lion, unsurprisingly, produces innovative audio gear of its own design that consistently outperforms its price range.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 4-channel preamplifier with USA CineMag input and output transformers;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Designed and assembled in the USA;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Bandwidth (1kHz, 150Ω unbalanced source, unweighted): 10Hz–30kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 70dB of gain handles any type of microphone, including low output ribbons;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Gain and output controls per channel, phantom power, polarity inversion;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e DI input and hi-Z switch on channels 1 and 2.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003ePreamplifier type: solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 4;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: channel 1-2;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 4 x XLR (microphone), 2 x 1\/4 in. (Hi-Z);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog Outputs: 4 x XLR, 4 x 1\/4 in. TRS;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Frequency response: 10Hz–30kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack Spaces: 2U;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power Source: 5-pin AC adapter power supply (included).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":43994638123226,"sku":"","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/2_d936bd8f-524c-4467-aac5-b270dfd6e040.jpg?v=1689369361"},{"product_id":"pre-amplificador-de-microfone-black-lion-audio-auteur-mkiii-2-canais","title":"Black Lion Audio Auteur MKIII 2-Channel Microphone Preamp","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eModern response, vintage-inspired sound, killer results\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eIf you're relying on your audio interface's built-in microphone, you're fooling yourself. Even if you have a high-end mic cabinet, you'll never get pro-level sound with sterile, gain-hungry preamps. That's where the Black Lion Audio Auteur MkIII comes in. This 2-channel mic preamp is top-notch, featuring a transparent, modern IC-based front end and character-infused transformer-based output stage. The result is lightning-fast response with a vintage-inspired sound that's sure to inject your recordings with an attention-grabbing, attention-demanding quality. The Auteur MkIII includes all the features you'd expect from a professional mic preamp: line and hi-Z inputs, balanced line outputs, a -10dB pad, 48V phantom power, and polarity inversion. And with 62dB of gain on tap, the Auteur MkIII is prepared to handle all but the most gain-hungry microphones. You can't get studio-grade sound without a solid analog front end, and the Black Lion Audio Auteur MkIII really delivers.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIntelligent design with cutting-edge components\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The Auteur MkIII has a smart design and top-of-the-line components. When a signal reaches this microphone preamp's modern IC-based front end, which produces fast response and transparent sound, you get exactly what you need to capture every nuance and detail of your source. The Auteur MkIII's vintage-inspired output stage includes a high-quality CineMag transformer for massive, colorful sound. Each channel includes a line-level input for infusing keyboards, synths, and even full mixes with weight and warmth, plus a hi-Z input for DI'ing your electric guitars and basses. Here we are impressed with the durability of the Auteur MkIII's tour-worthy chassis and think the included removable rack lugs and 1U rack compatibility are a convenient addition. This preamp is also extremely portable!\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBlack Lion Audio: the mod squad\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Founded in Chicago in 2006, Black Lion Audio has made its mark on the audio industry by hot rodding audio equipment and upgrading the sound quality of popular music production equipment, elevating industry standard products to new levels of sonic quality. Although they began modifying equipment from other manufacturers, they utilized their cumulative experience to design their own line of microphone preamps and word clocks. BLA gear and modified gear can be found in studios from Los Angeles to New York and Nashville and heard on projects by artists including Maroon 5, Alison Krauss, Metallica, T-Pain, George Strait, MGMT, Beyoncé, George Duke, Slayer, Erykah Badu, Rod Stewart and more.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e The modern IC-based front end produces transparent sound and ultra-fast response;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eThe character-infused output stage includes a high-quality CineMag transformer;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Line and hi-Z inputs accommodate line-level and high-impedance sources;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Balanced line outputs integrate seamlessly with the rest of your studio;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e -10dB pad tames extra loud sources;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 48V phantom power for your condenser microphones;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity reversal eliminates phase problems;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 62dB of gain — ready to handle all but the most gain-intensive microphones;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Tour-worthy chassis; includes removable rack ears with 1U 1\/2 rack compatibility.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 2;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -10dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 2 x XLR, 2 x 1\/4 in;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 2 x 1\/4 inch TRS;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Frequency response: 10Hz–30kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power source: 24V AC power supply (included).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":43994641891546,"sku":"","price":419.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_4c386a79-59cf-48db-bd4f-d3a37f8649fb.jpg?v=1689101310"},{"product_id":"pre-amplificador-de-microfone-e-equalizador-black-lion-audio-eighteen","title":"Black Lion Audio Eighteen Microphone Preamp and EQ","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eVintage-flavored preamp and program equalizer from Industry Wunderkinds Black Lion Audio\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eFamed gear modification company Black Lion Audio has been building an impressive arsenal of unique studio gear, featuring variations on classic designs alongside completely original creations. Joining that list is the Black Lion Audio Eighteen channel strip. A utopia of sorts, the Eighteen combines a transformer-based preamp with a 2-band passive induction EQ. Now, you can't get more old school vibes than this! Many studio engineers have found that dialing in clean sounds on the Eighteen is no problem, but it really shines when pushed to sticky analog saturation. Add just a little to make a vocal fit into the mix, or boost it into a mono drum overload for a Bonham-esque flex. Dump the preamp into the program EQ for even more tonal control using simultaneous boost and cut functionality to sculpt a thick but focused edge and mid- and high-range clarity. You'll be shocked at how aggressively you can push the EQ without it sounding harsh or unpleasant. Need some mojo on the front end of your studio? The Black Lion Audio Eighteen has it in spades!\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Vintage-style preamp section with CineMag input and output transformers and custom discrete op amps;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e CineMag inductor-based 2-band passive EQ lets you boost and cut frequencies simultaneously to add focused bottom-end weight and controlled top-end presence;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Output control to drive the preamp for rich harmonic saturation without signal clipping;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Additional frequency control with 80Hz high-pass and 10kHz low-pass filters;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Selectable mic\/line inputs, polarity reversal, and 48V phantom power for condenser microphones, active ribbon microphones, and microphone enablers;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Attractive backlit VU meter on the front panel;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Internal power supply with AC input and voltage selector.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003ePreamplifier type: solid state induction EQ preamplifier;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: single channel;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Equalizer: 2-band EQ, low-pass shelving, 80Hz high-pass, 10kHz low-pass;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 1 x XLR;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 1 x XLR;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack spaces: 2U;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power source: standard IEC AC cable.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":43995789951194,"sku":"","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/2_fb6a07eb-6ab7-424d-b989-e8fed30fab57.jpg?v=1689187613"},{"product_id":"pre-amplificador-de-microfone-black-lion-audio-auteur-mkii-serie-500","title":"Black Lion Audio Auteur MKII 500 Series Microphone Preamp","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eOverview\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Black Lion Audio Auteur MKII 500 Series microphone preamp circuit combines an ultra-high-speed front end and a transformer-coupled output stage. The combination, which we've seen in Black Lion before, offers lots of nuance and detail, well-balanced with a robust assertiveness and vintage flavor that holds up in a blend. The Auteur MKII 500 has 67dB of gain on tap, so you can feel free to use your favorite ribbon mics on quieter sources. A DI input is provided for direct injection of electric guitars, bass, keyboards and the like. Phantom power, polarity inversion and a 13dB pad round out the feature set. We really like the Black Lion Auteur MKII 500. It's versatile and sounds great—and it's a solid value. Place one or two of them in the 500 Series rack; we think you'll be impressed.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eExcellent value in a 500 series preamp\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eSince 2006, Black Lion Audio has been helping musicians and engineers improve the sound of their gear, and they've built a solid reputation for getting world-class sound from modestly priced gear. As a team that got its start making acclaimed mods, Black Lion, unsurprisingly, produces innovative audio gear of its own design that consistently outperforms its price range. The Auteur MKII 500 is essentially a single-channel version of the company's 500 series desktop model — which is itself a second-generation iteration of its well-received predecessor. As such, the Auteur MKII 500 features a revamped gain stage that offers greater gain, lower noise and distortion, and a more extended frequency response than the original design. Drums sound round and energetic through the Auteur MKII 500. Vocals come across beautifully with a silky shine. Guitars soar like flaming phoenixes. No matter what the source, the Black Lion Auteur MKII 500 works like a pro.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Single space 500 series module; requires compatible 500 series rack;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 1-channel preamplifier with ultra-high-speed input stage and Edcor output transformer;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Bandwidth (1kHz, 600 ohm unbalanced source, unweighted): 10Hz–30kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Gain range: +16dB to +67dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity reverse switch;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 13dB pads;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e DI input (maximum input level: +18dBu);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e The Hi-Z switch selects the input source; activated: DI connector on front panel; disengaged: XLR rack input.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: 500 series solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 1;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -13dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 1 x 1\/4 in. (Hi-Z);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Module slot size: single;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power usage: ±16 VDC, 60 mA.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":43995802337498,"sku":"","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_1ff7f904-a4f3-48df-84e9-1de10ee45f73.jpg?v=1689188227"},{"product_id":"pre-amplificador-de-microfone-black-lion-audio-b173-mkii","title":"Black Lion Audio B173 MKII Microphone Preamp","description":"\u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePack your rack with the sound of '73\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e With its design inspired by a legendary vintage British console microphone preamp, the 1073, the Black Lion B173 MKII packs a huge punch, delivering the muscular bass, assertive mids and bright highs characteristic of a vintage 1073 in a half-rack unit. economic. The B173 MKII features high-quality parts and Class A discrete circuitry with input and output stages coupled to Cinemag transformers. With generous gain on tap, the B173 MKII delivers large helpings of low-noise headroom. Now you'll finally be able to use your low-output ribbon microphones on quiet sources! The B173 MKII conveys a bold sonic assertiveness that reinforces any signal you pass through it. This is the sound that launched a thousand hits.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eBig iron upgrades and more\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eMore than just another 1073 clone, the B173 MKII combines vintage-inspired sounds and modern features in a rugged half-rack chassis with a smart feature set that will satisfy the most discerning audio engineers. A revised gain stage and lower noise floor deliver cleaner sound with lower distortion, while Cinemag input and output transformers keep things warm, creamy, and robust. A front-panel DI adds harmonic richness to guitars, basses, and synths, while stepped input gain and variable output attenuation offer precise control over transformer saturation. We dig the Black Lion B173 MKII. It's an incredible value and sounds great. Mount one or two of them on your rack and get to work.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eExcellent hot-mod preamp value\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eSince 2006, Black Lion Audio has been helping musicians and engineers improve the sound of their gear, and they've built a solid reputation for getting world-class sound from modestly priced gear. As a team that got its start making acclaimed mods, Black Lion, unsurprisingly, produces innovative audio gear of its own design that consistently outperforms its price range. We are proud to offer you its distinctive line of innovative products.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 1-channel preamplifier with USA Cinemag input and output transformers;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Stepped gain control; variable output attenuator;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Front panel DI, phantom power, reverse polarity, hi-Z switch;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e External power supply minimizes noise;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rugged and convenient half-rack chassis;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Designed and assembled in the USA.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 1;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003ePolarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 1 x XLR (microphone), 1 x 1\/4 in. (Hi-Z);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 1 x 1\/4 inch TRS;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack spaces: half-rack;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power source: 24V AC adapter (included).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":43995806662874,"sku":"","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/2_c3fd8d1d-b548-4991-b454-3a084b996adf.jpg?v=1689188891"},{"product_id":"pre-amplificador-de-microfone-black-lion-audio-auteur-quad-4-canais","title":"Black Lion Audio Auteur Quad 4-Channel Microphone Preamp","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eFast and robust, times four\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe four-channel rackmount version of Black Lion Audio's ever-popular Auteur MK2 preamp, the AuteurQuad combines an ultra-high-speed front end and a transformer-coupled output stage. The combination, which we've seen in Black Lion before, offers lots of nuance and detail, well-balanced with a robust assertiveness and vintage flavor that holds up in a blend. The AuteurQuad has 65dB of gain on tap, so you can feel free to use your favorite ribbon mics on quieter sources. A DI input is provided on channels one and two for direct injection of electric guitars, bass, keyboards and the like. Per-channel pads, polarity inversion, and phantom power round out the feature set. Here, we really like the Black Lion AuteurQuad. It's versatile and sounds great. Stack your rack with a few of these for great multi-channel value!\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eExcellent value in a four-channel preamp\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eSince 2006, Black Lion Audio has been helping musicians and engineers improve the sound of their gear, and they've built a solid reputation for getting world-class sound from modestly priced gear. As a team that got its start making acclaimed mods, Black Lion, unsurprisingly, produces innovative audio gear of its own design that consistently outperforms its price range. The AuteurQuad is a four-channel version of the company's desktop model — which is itself a second-generation iteration of its well-received predecessor. As such, the AuteurQuad features a revamped gain stage that offers greater gain, lower noise and distortion, and a more extended frequency response than the original design. Through the AuteurQuad, the drums sound huge and punchy; the vocals are beautiful; guitars fly.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003e4-channel preamplifier with ultra-high-speed input stage and Edcor output transformer;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Instrument DI connectors on channels 1 and 2;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Mic\/DI bandwidth: 10Hz–30kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 65dB of gain handles any type of microphone, including ribbons;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Measurement on all 4 channels;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power per channel, polarity inversion and pad;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pad: 10dB (mic), 13dB (DI).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 4;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -10dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 4 x XLR (microphone), 2 x 1\/4 in. (Hi-Z);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog Outputs: 4 x XLR, 4 x 1\/4 in.;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Frequency response: 10Hz-30kHz (bandwidth);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack Spaces: 1U.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":43995812331738,"sku":"","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_7646c411-942d-425f-b05a-f1e274797006.jpg?v=1689189443"},{"product_id":"pre-amplificador-de-microfone-heritage-audio-super-8","title":"Heritage Audio Súper 8 Microphone Preamplifier","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eEight channels of '73-style preamp\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio Super 8 gives you eight full-color channels of '73-style preamp in a single rackmount cabinet. Plus, you get built-in 24-bit\/192kHz digital-to-analog conversion for seamless transfer to your DAW. The Super 8 features state-of-the-art components such as Carnhill transformers, plus tantalum and Styroflex capacitors, ensuring a realistic golden age British flavor. All eight of the Super 8's preamps are loaded with professional features, including phantom power, polarity inversion, a low-cut filter, and more. You also get lo-Z compatibility, a -20dB pad, and a JFET DI on select channels. If you're looking for that elusive British-flavored juice for your studio, the Super 8 offers eight excellent channels of it.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eDelivers authentic '73 British-style sounds\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eFor recording aficionados, golden-era British consoles are the stuff of legend. The Super 8 offers eight 73-style, 3-stage Class A preamps — the gold standard for this type of sound. This 8-channel mic pre is boosted by Carnhill's exclusive custom input and output transformers, along with tantalum and Styroflex capacitors. In the end, not only do you get a generous 80dB of gain, but you also get the essence, vibe and feel of a vintage '73.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePacked with professional features\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eMany audio professionals are duly impressed with the sheer number of features packed into the Super 8's 2U rack-mountable chassis. All eight Super 8 pres include +48V phantom power, a Line button for line-level signals, a Phase for polarity inversion and a low-cut filter that produces a -3dB cut at 80Hz. Additionally, the first channels of the mic preamp are equipped with a lo-Z knob to accommodate low-impedance signals, a -20dB pad, a JFET DI, and a fully sweepable low-cut filter. One thing is certain: the Heritage Audio Super 8 will never leave you wanting.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePremium 24-bit\/192kHz A\/D Converter\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThanks to Super 8's high-quality A\/D conversion, you'll find it easy to integrate this mic preamp into your studio. And with ADAT, S\/PDIF, and AES\/EBU built in, compatibility won't be an issue. This 24-bit analog-to-digital converter offers selectable internal sampling frequencies from 44.1kHz to 192kHz, plus can be synchronized externally via word clock. The Super 8 includes a per-channel selectable path to the converter, allowing you to send a pre-amplified signal to your DAW directly from its corresponding input or send a signal from an external source. This allows you to send a pre-amplified signal to another processor and then return it to the Super 8 for A\/D conversion.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 8 channels of '73-style color preamp in a single rack-mount cabinet;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 24-bit\/192kHz D\/A conversion ensures seamless transfer to your DAW via ADAT, S\/PDIF or AES\/EBU;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eSwitchable path per channel to the converter;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Carnhill transformers, plus tantalum and Styroflex capacitors, offer a realistic golden age British flavor;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 80dB of gain is enough to handle even the most gain-hungry microphones;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power per channel, a line button for line-level signals, a polarity inversion, and a low-cut filter;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Selected channels include lo-Z compatibility, a -20dB pad, and a JFET DI.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier Type: Microphone Preamplifier;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 8;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -20db;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Sampling rate: 192kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Bit depth: 24 bits;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 8 x XLR (mic), 2 x 1\/4 in. (Hi-Z), 1 x DB-25 (line), 1 x DB-25 (ADC return);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 8 x XLR, 1 x DB-25;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Digital outputs: 2 x optical (ADAT\/SMUX), 1 x DB-9 (S\/PDIF, AES);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e I\/O Clock: 1 x BNC (Word Clock input\/output);\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eFrequency response: 20Hz–20kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack spaces: 2U;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power supply: 5-pin HA-PSU02.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44003413065946,"sku":"","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_a344a599-ed16-407d-9fe2-418cdaf1206c.jpg?v=1689707192"},{"product_id":"pre-amplificador-de-microfone-heritage-audio-ha73eqx2","title":"Heritage Audio HA73EQX2 Microphone Preamplifier","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eClassic 2-channel '73 pre\/EQ that won't break the bank\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eHeritage Audio's value-packed ELITE series leverages expertise gained from years of crafting acclaimed vintage-inspired gear. For the dual-channel HA73EQ ELITE mic preamp\/EQ, Heritage Audio set its sights high: its own widely respected, hand-wired HA73jr and DMA73 preamps—themselves based on vintage console preamp\/EQ most iconic in history, the 1073. In our opinion, they succeeded quite easily. This thing looks incredible. You may ask how Heritage can offer the same world-class sound and performance at such an affordable price. Mainly through economies of scale. They don't skimp on components (the HA73EQ ELITE employs genuine Carnhill input and output transformers), but they order parts and assemble in quantity, using lean manufacturing and modern construction techniques,\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n \u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe mother of all preamps\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The Heritage Audio HA73EQ ELITE 2-channel preamp\/EQ packs your rack with a potent dose of vintage vibe. It's based on the iconic 1073, amplifying any microphone or instrument with vibrant clarity and power. Turn up the input to get a rich, saturated sound, just like you would on an old console. With 80dB of gain, you have a preamp ready to bring out the best in any microphone — condenser, dynamic or ribbon. Trust us: it's really hard to make this sound bad!\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe Holy Grail of EQ\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe EQ section of the HA73EQ ELITE adheres to the classic 1073 inductor-based circuit topology. The vintage 1073 is the holy grail of EQ, and the Heritage Audio 73EQ JR nails its sounds and behavior (complete with its legendary harmonic distortion). It's a three-band affair, with ±16dB of fixed HF shelving at 12kHz; ±18dB fixed-Q midband peak with selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz and 7.2kHz; and ±16dB of LF shelving, selectable at 35Hz, 60Hz, 110Hz and 220Hz. A high-pass filter, selectable at 50 Hz, 80 Hz, 160 Hz and 300 Hz, allows you to cut your unwanted bass signals. If you've never worked with a 1073-style EQ before, all we can say is: you're in for a big surprise.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAdd rich transformer saturation to any source\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio HA73EQ features Carnhill input and output transformers, ready to add warmth, girth, and authority to any sound source—mic, line, or even DI instruments. The DI circuit is in front of the microphone input transformer, perfect for adding some hair to the DI bass signals in the path. The HA73EQ has separate input and output gain controls, so you can drive the input to get more color from the transformer without overloading the output stage.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Built to the same specifications as the acclaimed '73JR, '73EQJR and DMA73 models;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Industry standard Carnhill transformers, hand wound in St Ives, England;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 80dB Class A, fully discrete 3-stage dual-channel microphone preamplifier;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Line input on separate XLR to add girth and warmth to pre-recorded tracks;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003e20dB pad on microphone input to avoid overloading the input transformer when desired;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e LOZ, changes the microphone transformer input impedance from 200 to 50 ohms;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Ultra high impedance JFET based DI;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Fully discrete 3-band EQ with vintage spec inductors;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e HF shelf at 12kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Mid-band selectable between 6 different frequencies and \u003cem data-mce-fragment=\"1\"\u003eOff\u003c\/em\u003e ;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e LF shelf selectable between 4 different frequencies and \u003cem data-mce-fragment=\"1\"\u003eOff\u003c\/em\u003e ;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Inductor-based high-pass filter, selectable between 4 different frequencies and \u003cem data-mce-fragment=\"1\"\u003eOff\u003c\/em\u003e ;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Mil-spec construction; 1RU chassis with RAF gray front panel;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e External universal power supply for worldwide use,\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: Class A solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 2;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -20dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eEqualizer: 3-band EQ, High Shelf @ 12kHz, Low Shelf 35Hz–220Hz, High-pass Filter 50Hz–300Hz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 2 x 1\/4 in. (Hi-Z), 2 x XLR (microphone), 2 x XLR (line)\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 2 x XLR;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack spaces: 2U;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power source: external AC adapter power supply (included).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44008388559066,"sku":"","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_2c5f75a3-9287-4175-9c5c-5706e873ef8b.jpg?v=1689963890"},{"product_id":"pre-amplificador-e-equalizador-de-microfone-heritage-audio-ha-81a","title":"Heritage Audio HA-81A Mic Preamplifier and EQ","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eOverview\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio HA-81A delivers what generations of recording engineers have wanted. The legendary 1073 console module wrote the book on characterful mic preamps, but arriving as it did in the early '70s, it was paired with a three-band EQ that sounded incredible but left something to be desired in terms of flexibility. Then the powerful 1081 EQ arrived with four overlapping bands and under-the-hood enhancements that made it sound better than ever. It still had the ability to transform iron-poor sources into powerful rails, in addition to offering the surgical precision that its predecessor did not offer. Now the Heritage Audio HA-81A includes the best of the best: a fully discrete Class A 73-style mic preamp and a powerful 81-style EQ, all in a 1U rackmount chassis decked out in classic RAF gray paint .\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe preamp by which all others are measured\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eHeritage Audio's take on the legendary '73-style preamp is nothing short of a tour de force. It's all here: 80dB of gain to handle even your lowest-output passive ribbon microphones in a fully discrete Class A circuit path with Carnhill and St. Ives input and output transformers. Driving the transformer-coupled input gain stage saturates your signal with a lovely vintage-flavored coloration. The HA-81A preamp section delivers the signature Class A sound with a harmonically rich bottom end, focused mids, and euphonious resonant highs. The feature set includes phantom power, gain, output adjustment, a 20dB pad, polarity inversion, a wide gain range DI, a line input, and selectable impedance to optimize the preamp's response to a variety of inputs. microphones.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe ultimate in console EQs\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eIntroduced in 1972 as a 4-band upgrade of the 1073 (itself a legend), the 1081 was implemented in classic Neve boards such as the 8048. A fitting testament to how good they sounded, vintage 8048s with 1081 modules are still in use today in world-class studios like The Village in LA. But you don't need to take the time there to enhance your tracks with the ultimate British equalizer. Heritage Audio designed the HA-81A with a vintage 1081-style circuit with wide frequency coverage and unmatched punch. Modeled on the 1081, generally considered the best console EQ module ever made, the HA-81A's EQ section is an exceptionally musical 4-band inductor-based circuit with high-pass and low-pass filters, plus low- and parametric bands. medium-high overlapping.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Classic British console preamp and equalizer;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Hybrid design based on 2 legendary designs;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eFully discrete Class A circuit with Carnhill and St. Ives input and output transformers;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Full-featured 73-style microphone preamp;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Full-featured 81-style EQ;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Handcrafted in Spain at Heritage Audio headquarters.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: Class A solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 1;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -20dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Equalizer: 4-band equalizer, dual adjustable mid-Q, low\/high pass filters;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 1 x XLR (microphone), 1 x XLR (line), 1 x 1\/4\" (Hi-Z);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 1 x XLR;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Frequency response: 20Hz–20kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack spaces: 1U;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power source: AC adapter (included).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44008400945370,"sku":"","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_674ef3e1-04f8-4f25-aecc-bcb840f1e749.jpg?v=1689964699"},{"product_id":"pre-amplificador-de-microfone-heritage-audio-73jrii","title":"Heritage Audio 73JRII Microphone Preamplifier","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eBring out the best in your microphones\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio 73JR II 500 Series microphone preamp brings a heavy dose of vintage vibes right to your rack. Based on the iconic 1073, it amplifies any microphone or instrument clearly and vibrantly. Plus, because there are separate input and output gain controls, you can control the 73JR II's input for a rich, saturated sound, just like you would on an old console. Throw in a whopping 80dB of gain and you have a preamp ready to bring out the best in any microphone, whether condenser, dynamic or ribbon. Additionally, the 73JR II updates the original 73JR design with a variable high-pass filter, offering more control to cut out unwanted low-frequency information during tracking,\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAdd rich transformer saturation to any source\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio 73JR II features custom Carnhill input and output transformers that are ready to add a touch of sparkle to any sound source—mic, line, or even DI instruments. The DI circuit is in front of the microphone input transformer, perfect for adding some hair to the bass DI signals in the path.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Sonically versatile mic preamp and DI module based on the classic 1073;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e The 20dB pad on the microphone input prevents overloading the input transformer;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Up to 80dB gain for microphone input, 50dB line preamp\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Class A fully discrete circuits;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e The DI input circuit is before the input transformer, allowing you to add color and richness to DI instruments;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Variable high-pass filter to cut out unwanted noise and mud in the bass;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eSeparate input and output gain controls allow you to drive the input for saturation without overloading the output,\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: 500 series solid state preamplifier;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 1;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Frequency response: 20Hz (+0.3dB) to 20Khz (-0.2dB);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -20dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity Switch: Yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Equalizer: variable high-pass filter;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 1 x 1\/4\" (microphone\/line\/DI);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Module slot size: single.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44008425095386,"sku":"","price":949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_3a6b4cd3-af95-4a0d-ab8c-99e25613a950.jpg?v=1689966667"},{"product_id":"pre-amplificador-de-microfone-heritage-audio-ha-73x2","title":"Heritage Audio HA-73X2 Microphone Preamplifier","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eA 2-channel 73 Pre that won't break the bank\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eHeritage Audio's value-packed Elite Series leverages expertise gained from years of crafting acclaimed vintage-inspired gear. For the HA-73X2 Elite, Heritage Audio set its sights high: its own widely respected, hard-wired HA73jr and DMA73 preamps—themselves based on the most iconic vintage console preamp in history, the 1073. In our opinion , they were successful. You may ask how Heritage can offer the same world-class sound and performance at such an affordable price. Mainly through economies of scale. They don't skimp on components (the HA-73X2 Elite employs genuine Carnhill input and output transformers), but they order parts and build in quantity, using lean manufacturing and modern construction techniques, in the same Spanish factory where the rest of their line is built. done.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eA potent dose of vintage vibe\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio HA-73X2 Elite 2-Channel Mic Preamp packs your rack with a potent dose of vintage vibe. It's based on the iconic 1073, amplifying any microphone or instrument with vibrant clarity and power. Turn up the input to get a rich, saturated sound, just like you would on an old console. With 80dB of gain, you have a preamp ready to bring out the best in any microphone — condenser, dynamic or ribbon. Trust us: it's really hard to make this sound bad!\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAdd rich transformer saturation to any source\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio HA-73X2 features Carnhill input and output transformers ready to add warmth, girth, and authority to any sound source—mic, line, or even DI instruments. The DI circuit is in front of the microphone input transformer, perfect for adding some hair to the DI bass signals in the path. Each channel of the HA-73X2 has separate input and output gain controls, so you can drive the input to get more color from the transformer without overloading the output stage.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 2-channel, fully discrete, 3-stage Class A microphone preamplifier with 80dB of gain;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Industry standard Carnhill transformers hand wound in Saint Ives, England;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Separate input and output gain controls let you drive the input for saturation without overloading the output;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eLine inputs on separate XLRs to add warmth and girth to pre-recorded tracks;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 20dB pad on microphone input to avoid overloading the input transformer when desired;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e LOZ changes the microphone transformer input impedance from 200 to 50 ohms;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 80Hz high-pass filter; +48 volt phantom power; polarity inversion;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Ultra-high impedance JFET-based DI input;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rugged 19-inch 1U form factor chassis;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e External universal power supply for worldwide use.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: Class A solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 2 channels;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -20dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Equalizer: 80Hz high-pass filter;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 2 x 1\/4 in. (Hi-Z), 2 x XLR (microphone), 2 x XLR (line);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 2 x XLR;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack spaces: 1U;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power source: external AC adapter power supply (included).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44008437481690,"sku":"","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_0943ef96-00e1-497d-9725-1756c16c5f8a.jpg?v=1689967667"},{"product_id":"pre-amplificador-de-microfone-heritage-audio-dtt-73","title":"Heritage Audio DTT-73 Microphone Preamplifier","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eClassic Neve Sound in a desktop format\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Delivering an authoritative and characteristic sound inspired by the legendary Neve 1073, the Heritage Audio DTT-73 (Dual Tabletop 73) two-channel preamplifier combines classic Class A transformer-based circuitry and premium components in a versatile desktop chassis. With 80dB of gain on tap, the DTT-73 microphone preamps are perfect for driving your low-output ribbon microphones. Line knobs decrease gain by 30dB, ideal for sending 1073-driven line-level signals to service engineers. The DTT-73 also features ultra-high impedance JFET direct inputs with throughput DI connectors for simultaneous use of instrument amplifiers. The inclusion of 20dB pads ensures clean signals without fear of overload.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePlatinum sound as soon as you beat the record\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eTalk to any engineer who has worked on a vintage Neve console — if you have the right microphones in front of the sources, just turn up the faders and your sound is almost there. That's what you get with the Heritage Audio DTT-73. Think big, loud, vibrant sound that seems to leap out of your speakers. It's the sound that has created countless hit albums, and you can play it with the DTT-73 preamp.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eBuilt to original specifications for a true vintage recreation\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e In fact, the only technical difference between the Heritage Audio DTT-73 and an original Neve 80 Series console module is the form factor. Inside, you will find only the highest quality original components — transformers, switches, push buttons and even classic Marconi buttons. So don't think of the DTT-73 as another vintage emulation or imitation. It's the real deal.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n \u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTop-notch performance from Class A preamplifier circuit\u003c\/strong\u003e\u003c\/h1\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e The DTT-73 packs 80dB of gain into its Class A mic preamp, perfect for ribbon mics and low-output dynamics. The design is also single-ended, powered by 2N3055 and offers high headroom. As a result, the sound is full, punchy, and incredibly vibrant when you increase signal levels. The Heritage Audio DTT-73 delivers classic sound. And made in classic RAF blue-grey steel cladding with wooden cheeks, it has the look to match.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Class A microphone preamps of 80dB per channel;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 50dB Class A line preamps;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e High impedance Class A JFET direct inputs with Thru connectors;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Gold-plated Neutrik individual XLR connectors;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 20dB microphone input attenuation pads;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 80Hz high-pass filters;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eCarnhill input and output transformers;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Internal power supply for convenient portability;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e IEC standard power connector.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: DMA73 desktop preamplifier;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: 2;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Equalizer: 80Hz high-pass filter;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 2 x XLR (microphone), 2 x XLR (line), 2 x 1\/4 in. (DI input);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 2 x XLR (main out), 2 x 1\/4 in. (thru).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44008450064602,"sku":"","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_c5de922c-a9d7-4c81-bc0c-607dc7f2c948.jpg?v=1689968618"},{"product_id":"pre-amplificador-e-equalizador-de-microfone-heritage-audio-ha-73eq","title":"Heritage Audio HA 73EQ Microphone Preamp and EQ","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eA classic pre\/equalizer that won't break the bank\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eHeritage Audio's value-packed Elite Series leverages expertise gained from years of crafting acclaimed vintage-inspired gear. For the HA73EQ Elite, Heritage Audio set its sights high: its own widely respected, hand-wired HA73jr and DMA73 preamps—themselves based on the most iconic vintage console preamp\/EQ module in history, the 1073. In In our opinion, they succeeded. You may ask how Heritage can offer the same world-class sound and performance at such an affordable price. Mainly through economies of scale. They don't skimp on components (the HA73EQ Elite employs genuine Carnhill input and output transformers), but they order parts and build in quantity, using lean manufacturing and modern construction techniques, in the same Spanish factory as the rest of their range.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe mother of all preamps\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio HA73EQ Elite preamp\/EQ packs your rack with a potent dose of vintage vibes. It's based on the iconic 1073, amplifying any microphone or instrument with vibrant clarity and power. Turn up the input to get a rich, saturated sound, just like you would on an old console. With 80dB of gain, you have a preamp ready to bring out the best in any microphone — condenser, dynamic or ribbon. Trust us: it's really hard to make this sound bad!\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe Holy Grail of EQ\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe EQ section of the HA73EQ Elite follows the classic 1073 circuit topology. The vintage 1073 is the holy grail of EQ, and the Heritage Audio 73EQ JR nails its sounds and behavior (complete with its legendary harmonic distortion). It's a three-band affair, with ±16dB of fixed HF shelving; ±18dB fixed-Q midband peak with selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz and 7.2kHz; and ±16dB of LF shelving, selectable at 35Hz, 60Hz, 110Hz and 220Hz. A high-pass filter, selectable at 50Hz, 80Hz, 160Hz and 300Hz, allows you to cut your unwanted bass signals. If you've never worked with a 1073-style EQ before, all we can say is: you're in for a big surprise.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAdd rich transformer saturation to any source\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio HA73EQ features Carnhill input and output transformers, ready to add warmth, girth, and authority to any sound source—mic, line, or even DI instruments. The DI circuit is in front of the microphone input transformer, perfect for adding some hair to the DI bass signals in the path. The HA73EQ has separate input and output gain controls, so you can drive the input to get more color from the transformer without overloading the output stage.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Fully discrete 3-stage Class A microphone preamplifier with 80dB of gain;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Industry standard Carnhill transformers hand wound in St Ives, England;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Separate input and output gain controls let you drive the input for saturation without overloading the output;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Line input on separate XLR to add warmth and girth to pre-recorded tracks;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003e20dB PAD on microphone input to avoid overloading the input transformer when desired;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e LOZ changes the microphone transformer input impedance from 1200 to 300 ohms;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 80Hz high-pass filter; phantom power +48V; polarity inversion;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Ultra-high impedance JFET-based DI input;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Fully discreet classic 3-band EQ with vintage correct inductors;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e High frequency shelf at 12kHz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Mid-band selectable between 6 frequencies and OFF;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Low frequency shelf selectable between 4 frequencies and OFF;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Inductor-based high-pass filter, frequency selectable between 4 frequencies and OFF;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rugged 19-inch 1RU form factor chassis;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e External universal power supply for worldwide use.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier type: Class A solid state;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: single channel;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -20dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003eEqualizer: 3-band EQ, High Shelf @ 12kHz, Low Shelf 35Hz-220Hz, high-pass filter 50Hz–300Hz;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 1 x 1\/4 in. (Hi-Z), 1 x XLR (microphone), 1 x XLR (line);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 1 x XLR;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack Spaces: 1U.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44008463925466,"sku":"","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_6b8b3b89-ef15-40e5-8771-778e2d94dd47.jpg?v=1689969657"},{"product_id":"pre-amplificador-de-microfone-heritage-audio-ha-73","title":"Heritage Audio HA 73 Microphone Preamplifier","description":"\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eA 73 Pre that won't break the bank\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eHeritage Audio's value-packed ELITE series leverages expertise gained from years of crafting acclaimed vintage-inspired gear. For the HA73 ELITE, Heritage Audio set its sights high: its own widely respected, hand-wired HA73jr and DMA73 preamps—themselves based on the most iconic vintage console preamp in history, the 1073. In our opinion, they were successful. You may ask how Heritage can offer the same world-class sound and performance at such an affordable price. Mainly through economies of scale. They don't skimp on components (the HA73 ELITE employs genuine Carnhill input and output transformers), but they order parts and build in quantity, using lean manufacturing and modern construction techniques, in the same Spanish factory as the rest of their range.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eA potent dose of vintage vibe\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio HA73 ELITE mic preamp packs your rack with a potent dose of vintage vibe. It's based on the iconic 1073, amplifying any microphone or instrument with vibrant clarity and power. Turn up the input to get a rich, saturated sound, just like you would on an old console. With 80dB of gain, you have a preamp ready to bring out the best in any microphone — condenser, dynamic or ribbon. Trust us: it's really hard to make this sound bad!\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eAdd rich transformer saturation to any source\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe Heritage Audio HA73 features Carnhill input and output transformers, ready to add warmth, girth, and authority to any sound source—mic, line, or even DI instruments. The DI circuit is in front of the microphone input transformer, perfect for adding some hair to the DI bass signals in the path. The HA73 has separate input and output gain controls, so you can boost the input to get more color from the transformer, without overloading the output stage.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCharacteristics\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Fully discrete 3-stage Class A microphone preamplifier with 80dB of gain;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Industry standard Carnhill transformers hand wound in St Ives, England;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Separate input and output gain controls let you drive the input for saturation without overloading the output;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Line input on separate XLR to add warmth and girth to pre-recorded tracks;\u003c\/li\u003e\n\n \u003cli data-mce-fragment=\"1\"\u003e20dB PAD on microphone input to avoid overloading the input transformer when desired;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e LOZ changes the microphone transformer input impedance from 1200 to 300 ohms;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e 80 Hz high-pass filter; phantom power +48V; polarity inversion;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Ultra-high impedance JFET-based DI input;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rugged 19-inch 1RU form factor chassis;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e External universal power supply for worldwide use.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003ch1 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSpecifications\u003c\/strong\u003e\n\u003c\/h1\u003e\n\n\u003cul data-mce-fragment=\"1\"\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Preamplifier Type: Microphone Preamplifier;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Number of channels: single channel;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Phantom power: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Pads: -20dB;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Polarity switch: yes;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Equalizer: 80Hz high-pass filter;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog inputs: 1 x 1\/4 in. (Hi-Z), 1 x XLR (microphone), 1 x XLR (line);\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Analog outputs: 1 x XLR;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Rack spaces: 1U;\u003c\/li\u003e\n\n\u003cli data-mce-fragment=\"1\"\u003e Power source: external AC adapter power supply (included).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":44008466186458,"sku":"","price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/1_40ae0efa-7a25-4a7a-a8c8-fd8c22242c14.jpg?v=1689970042"},{"product_id":"ams-neve-1073-spx","title":"AMS Neve 1073 SPX","description":"\u003ch1\u003e \u003cspan\u003e1073SPX\u003c\/span\u003e\n\u003c\/h1\u003e\n\n\u003ch3\u003e \u003cspan\u003eThe Neve preamp for the modern era\u003c\/span\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eThe stylish 1073SPX adopts the \u003csup\u003e1073®\u003c\/sup\u003e Class A design, excellent 3-band EQ (fixed HF plus two selectable bands with cut\/boost capability) and high-pass filter – making the 1073SPX the obvious choice for modern studios.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eCoveted by top engineers and producers since its launch in 1970, the Neve 1073 channel amplifier represents the Holy Grail of characterful microphone preamp and the epitome of the ultimate “British EQ”. The 1073 mic\/line input module defined the strong, authoritative sound of the legendary Neve 80 series consoles that dominated professional recording studios in the Golden Age of Analog. Today, you can get this iconic sound for your studio with the AMS Neve 1073SPX Mic\/Line\/DI Preamp \u0026amp; EQ rackmount unit. Built to the exact specifications of the original, with matching components to ensure sonic authenticity, and updated with modern features to meet the demands of today's studio workflows, the 1073SPX is a powerful, flexible channel that delivers a rich tonal palette to make bold statements. with your music.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003ch3\u003e\u003cspan\u003eLegendary and authoritative “big iron” sound\u003c\/span\u003e\u003c\/h3\u003e\n\n \u003cp\u003e\u003cspan\u003eSince the 1970s, the Neve 1073 has reigned as the most sought-after microphone preamp and equalizer on the planet – one reason being its inimitable sound; another is its impressive versatility. With a generous 80dB of available gain, the 1073 handles even your lowest-output passive ribbon microphones on quiet sources. While today's 1073SPX retains all of its vintage authenticity, AMS Neve remains an R\u0026amp;D-driven company that continually improves its classic designs to meet and exceed the performance requirements of today's hybrid analog-digital workflows. The name Rupert Neve is synonymous with custom transformer-balanced Class A circuitry, and AMS Neve continues to innovate in this domain with its proprietary state-of-the-art Neve Marinair specification transformers found in the input and output stages of the 1073SPX. With their “big iron” transformers, Neve consoles deliver wide, linear bandwidth while maintaining audiophile quality across the spectrum for rich, full-bodied sound with formidable bass, assertive midrange presence, and smooth, airy highs.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan\u003eMilitary-grade build quality\u003c\/span\u003e\u003c\/h3\u003e\n\n \u003cp\u003e\u003cspan\u003eDecked out in classic RAF blue-grey livery, the 1073SPX Preamp \u0026amp; EQ delivers a user experience like no other. The 1073SPX's robust build quality - including its rotary switches, robust metal frame, and internal circuitry - is manifestly superior to even the majority of today's high-end professional audio equipment. And it's a joy to use. In operation, everything feels perfect, from dropping the spoon into the honey in the pans to the satisfyingly precise click of the switches. Like all professional audio equipment of the time, early Neve equipment was built with mil-spec parts and materials – which, along with their extraordinary sound, explains why we still see half-a-century-old Neve consoles in major studios around the world. . That's how they built professional audio equipment – ​​and AMS Neve still does it.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003ch3\u003e\u003cspan\u003e1073SPX Preamp and EQ Overview:\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cul class=\"webtext-block--colcount\"\u003e\n\n\u003cli\u003e \u003cspan\u003eFRONT button: Switches the audio input to the front mic\/line combo jack (the DI input always replaces the mic input, whether the FRONT button is on or not)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eXLR\/Jack combo input: Use the XLR input for microphone sources and the 6.35mm jack input for line-level sources\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e48V button: Applies 48V phantom power to front and rear XLR microphone inputs (adjacent LED lights when phantom power is active)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLo Z Button: The default input impedance at the microphone input is 1200Ω. Pressing the Lo Z switch resets the input to 300Ω input impedance\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLIFT button: Provides ground lift for DI input; can alleviate buzzing\/humming by interrupting any ground loop\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003e-20 button: Applies 20dB of attenuation to the DI input; resets input impedance from ~1MΩ to ~10kΩ when enabled\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eDI I\/P button: High impedance balanced input for direct injection; microphone inputs automatically disconnected when connector is inserted\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLine\/mic level control with 80dB of gain available\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eHigh frequency: Smooth fixed frequency shelving +\/-16dB at 12kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMid Frequency: +\/- 18dB smooth peak, fixed Q, with selectable center frequencies of 0.36kHz, 0.7kHz, 1.6kHz, 3.2kHz, 4.8kHz and 7.2kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLow Frequency: +\/- 16dB smooth shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz and 220 Hz\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eHigh-pass filter: 18dB\/octave slope, selectable between 50Hz, 80Hz, 160Hz and 300Hz\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003ePhase button: Polarity inversion (180° phase) on balanced output\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003eEQ button: Turns the circuit equalizer on or off\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eINS button: Switches the insert loop to the signal path\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003ePRE button: When activated, repositions the insert loop from post-EQ to pre-EQ\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLEVEL control: Adjusts the output level; Briefly pressing this button toggles the level meter's starting point through 3 points in the signal path (pre-EQ, post-EQ, post-output stage), indicated by adjacent LEDs\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eTakeoff and clip indication LEDs: 1 of the 3 LEDs lights up green to indicate the selected takeoff point; The LEDs light up red if their respective takeoff point is close to clipping\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLevel meter: 7-segment peak level meter; pressing the button allows the audio level to be monitored in 1 of 3 locations (Mic\/Line\/DI input stage, EQ stage or output stage) up to +24dB\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003eSample rate indicator LED: Shows the selected sample rate; options are cycled through by long pressing the LEVEL button and selected by releasing it\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eClock source indicator LED: Shows the selected clock source; options are toggled by long pressing the LEVEL button after selecting the sample rate\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003ePOWER: Turns the unit on or off; Adjacent LED lights up when unit is on\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2\u003e \u003cspan\u003eAMS Neve 1073SPX Mic\/Line\/DI Preamp and EQ Features:\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cul class=\"webtext-block--colcount\"\u003e\n\n\u003cli\u003e \u003cspan\u003eGenuine Neve 1073 in rackmount chassis with additional features for the modern studio\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eBuilt to the exact specifications of the original with matching components to ensure sonic authenticity\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eClass A balanced microphone\/line preamplifier with Classic Neve transformer\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eFlexible, powerful and definitive British 3-band equalizer\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003eHigh pass filter, polarity inversion switch, EQ input\/output switch\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eFront panel connections for microphone, line and DI inputs; Selectable mic\/line input connections on rear panel\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eSelectable 48V phantom power, Hi\/Lo impedance, 20dB pad and DI ground on input stage\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eInsert send and return loop, selectable post or pre-EQ\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e7-segment LED signal level meters for each channel, switchable to show mic\/line\/DI input stage, EQ stage, or output stage level\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eOutput level control\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMicrophone input: +80dB to +20dB gain in 5dB steps\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLine input: 10k bridged input impedance, +20dB to -10dB gain in 5dB steps\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eBoth line inputs are transformer-balanced and ground-free\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003eDI input: Input impedance 1mΩ (pad out), 10kΩ (pad in); Gain: +80dB to +20dB in 5dB steps\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMaximum output: \u0026gt;+26dBu at 600Ω, output is transformer balanced\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eDistortion: \u0026lt;0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) at 600Ω\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eFrequency response: ±0.5dB, 20Hz–20kHz, -3dB at 40kHz (EQ output)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMultivoltage external power supply\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eDesigned and manufactured in England by AMS Neve engineers\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":44627131039962,"sku":"","price":1795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/AMSNeve1073SPX_1.png?v=1709823804"},{"product_id":"ams-neve-1073lb-500-series","title":"AMS Neve 1073LB 500 Series","description":"\u003ch2\u003e \u003cspan\u003eAuthentic Neve 1073 preamp for your 500 series rack\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eCoveted by top engineers and producers since its launch in 1970, the Neve 1073 channel amplifier represents the Holy Grail of microphone preamp with character.\u003c\/span\u003e \u003cspan\u003eThe 1073 mic\/line input module defined the strong, authoritative sound of the legendary Neve 80 series consoles that dominated professional recording studios in the Golden Age of Analog.\u003c\/span\u003e \u003cspan\u003eToday, you can get this iconic sound for your studio with the AMS Neve 1073LB 500 Series Mic\/Line Preamp.\u003c\/span\u003e \u003cspan\u003eEmploying the same preamp circuit architecture and matching components as the original 1073, and updated to meet the demands of modern workflows, the 1073LB offers a rich tonal palette for making bold statements with your music.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003e \u003cspan\u003eLegendary and authoritative “big iron” sound\u003c\/span\u003e\n\u003c\/h3\u003e\n\n \u003cp\u003e\u003cspan\u003eSince the 1970s, the Neve 1073 has reigned as the most sought-after microphone preamp and equalizer on the planet – one reason being its inimitable sound; another is its impressive versatility. With a generous 80dB of available gain, the 1073 handles even your lowest-output passive ribbon microphones on quiet sources. While today's 1073LB retains all of its vintage authenticity, AMS Neve remains an R\u0026amp;D-driven company that continually improves its classic designs to meet and exceed the performance requirements of today's hybrid analog-digital workflows. The name Rupert Neve is synonymous with custom transformer balanced Class A circuitry, and AMS Neve continues to innovate in this domain with its state-of-the-art Neve Marinair specification transformers found in the input and output stages of the 1073LB. With their “big iron” transformers, Neve consoles deliver wide, linear bandwidth while maintaining audiophile quality across the spectrum for rich, full-bodied sound with formidable bass, assertive midrange presence, and smooth, airy highs.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan\u003eMilitary-grade build quality\u003c\/span\u003e\u003c\/h3\u003e\n\n \u003cp\u003e\u003cspan\u003eDecorated in classic RAF blue-grey livery, the 1073LB 500 Series preamplifier module offers a user experience like no other. The 1073LB's robust build quality – including its rotary switches, robust metal frame and internal circuitry – is manifestly superior to even most of today's high-end professional audio equipment. And it's a joy to use. In operation, everything feels perfect, from the drop of the spoon into the honey in the Trim pot to the precise, satisfying click of the switches. Like all professional audio equipment of the time, early Neve equipment was built with mil-spec parts and materials – which, along with their extraordinary sound, explains why we still see half-a-century-old Neve consoles in major studios around the world. . That's how they built professional audio equipment – ​​and AMS Neve still does it.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003ch2\u003e\u003cspan\u003eAMS Neve 1073LB 500 Series Microphone Preamplifier Module Features:\u003c\/span\u003e\u003c\/h2\u003e\n\n\u003cul class=\"webtext-block--colcount\"\u003e\n\n\u003cli\u003e \u003cspan\u003eClass A balanced microphone\/line preamplifier with Classic Neve transformer\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eProprietary Neve Marinair transformers in the input and output stages\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eBoth microphone and line inputs are transformer-balanced and ground-free\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eGain button with signal presence LED; Phase inversion switch (180° phase)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e+5\/-20dB level trim control with integrated 48V phantom power on\/off switch\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eReverse polarity, impedance and front input selector switches\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eFront XLR\/TRS combo connector with intelligent phantom power switching\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eThe audio processing insertion feature allows processing from adjacent 1073 LBEQ and\/or 2264ALB modules to be inserted into the 1073LB pre-out stage\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003eLine input: 4kΩ impedance bridge, -20dB to +10dB gain in 5dB steps\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMicrophone input: Selectable impedance (300Ω\/1200Ω), gain from +20dB to +80dB in 5dB steps\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eThe output is transformer-balanced and ground-free\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eDistortion: \u0026lt;0.07%, 50Hz to 10kHz at +20dBu output\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eFrequency response: ±0.5dB, 20Hz–20kHz, -3dB at 40kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eCompatible 500 series chassis with required power supply and line-level I\/O connectors, not supplied\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eDesigned and manufactured in England by AMS Neve engineers\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":44627170754778,"sku":null,"price":1095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/Neve1073LBSerie500_2.png?v=1709827638"},{"product_id":"ams-neve-1073opx-com-remote-control","title":"AMS Neve 1073OPX with Remote Control","description":"\u003ch1 class=\"product__name\"\u003e\n\n \u003cspan\u003eNeve 1073OPX 8-Channel Microphone Preamp with Remote Control Software\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/h1\u003e\n\n\u003cdiv class=\"product__desc\"\u003e \u003cspan\u003e8-channel mic\/line\/DI preamp with 70dB gain, Neve Marinair transformers, switchable impedance, 48V phantom power and high-pass filters.\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eCoveted by top engineers and producers since its launch in 1970, the Neve 1073 channel amplifier represents the Holy Grail of microphone preamp with personality.\u003c\/span\u003e \u003cspan\u003eThe 1073 input module defined the strong, authoritative sound of the legendary Neve 80 series consoles that dominated professional recording studios in the Golden Age of Analog.\u003c\/span\u003e \u003cspan\u003eToday, you can get this iconic sound for your studio with the AMS Neve 1073OPX 8-Channel DI Preamp Rackmount Unit.\u003c\/span\u003e \u003cspan\u003eHand-wired true to the original vintage design and updated to meet the demands of modern workflows, the 1073 offers a rich tonal palette to make bold statements with your music.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003e \u003cspan\u003eThe most esteemed front-end in the industry\u003c\/span\u003e\n\u003c\/h3\u003e\n\n \u003cp\u003e\u003cspan\u003eWith its uniquely euphonious tonal quality, seductive warmth, mid-bass punch, and subtle harmonic distortion, the Neve 1073 has, for half a century, provided studios of all sizes with the industry's most esteemed front-end for production-ready products. radio that blasts straight from the speakers. Following the 1073 pedigree, the AMS Neve 1073OPX offers eight remote-controlled 1073 preamps with Neve Marinair specification transformers. The 1073OPX contains eight legendary 1073 preamps in a 2U rack unit with front and rear connectors for comprehensive connectivity to any studio, stage or broadcast environment, while state-of-the-art remote control software provides two-way control with full recall of all settings . Microphone input sources benefit from Neve's proprietary Marinair transformer-coupled input stage, and sources can be connected directly to the front panel mic\/line\/DI inputs for convenient recording in the studio control room.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan\u003eLegendary and authoritative “big iron” sound\u003c\/span\u003e\u003c\/h3\u003e\n\n \u003cp\u003e\u003cspan\u003eSince the 1970s, the Neve 1073 has reigned as the most sought-after microphone preamp and equalizer on the planet – one reason is its inimitable sound, another is its impressive versatility. With a generous 70dB of available gain, the 1073OPX handles even your lowest-output passive ribbon microphones on quiet sources. While today's 1073OPX retains all of its vintage authenticity, AMS Neve remains an R\u0026amp;D-driven company that continually improves its classic designs to meet and exceed the performance requirements of today's hybrid analog-digital workflows. The name Rupert Neve is synonymous with custom transformer-balanced Class A circuitry, and AMS Neve continues to innovate in this field with its state-of-the-art Marinair transformers, found on the 1073OPX's microphone inputs. With their “big iron” transformers, Neve consoles deliver wide, linear bandwidth while maintaining audiophile quality across the spectrum for rich, full-bodied sound with formidable bass, assertive midrange presence, and smooth, airy highs.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan\u003eMilitary-grade build quality\u003c\/span\u003e\u003c\/h3\u003e\n\n \u003cp\u003e\u003cspan\u003eThe 1073OPX 8-channel mic\/line\/DI preamp delivers a user experience like no other. The 1073OPX's robust build quality – including its rotary switches, robust metal frame, and internal circuitry – is clearly superior to even the majority of today's high-end professional audio equipment. And it's a joy to use. In operation, everything feels perfect, from the precise, satisfying click of the switches to the honey throw of the headphone level potentiometer. Like all professional audio equipment of the time, early Neve equipment was built with mil-spec parts and materials – which, along with their extraordinary sound, explains why we still see half-a-century-old Neve consoles in major studios around the world. . That's how they built professional audio equipment – ​​and AMS Neve still does it.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003ch2\u003e\u003cspan\u003eAMS Neve 1073OPX 8-Channel Microphone Preamp with Remote Control Features:\u003c\/span\u003e\u003c\/h2\u003e\n\n\u003cul class=\"webtext-block--colcount\"\u003e\n\n\u003cli\u003e \u003cspan\u003e8 channels of remotely controlled 1073 mic\/line\/DI preamps\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eProprietary Neve Marinair transformers at microphone input\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eClass A transformerless DI input\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eRemote control software can control up to 8 1073OPX racks at a time (64 preamps)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eAutomatic full recovery of all settings\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eFront panel mic\/line\/DI combo input\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMicrophone\/line\/DI type D connection on rear panel\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e80 Hz high-pass filter; 25dB cushion; Reverse polarity\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eIntelligent phantom power control\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eThe Lo-Z button changes the impedance from 1.3kΩ to 300Ω\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMicrophone input: 20dB to 70dB gain in 1dB steps\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLine Input: Gain –20dB to +20dB in 1dB steps\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003eDI Input: Gain from 30dB to 60dB in 1dB steps\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eSeparate stereo monitor path with independent level control\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLatency-free monitoring of all signal sources\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003e8 front panel DI inputs for instrument tracking\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eHeadphone output on front panel\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eDesigned and manufactured in England by AMS Neve engineers\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":44627495747802,"sku":null,"price":3995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/Neve1073OPX8MicPreamp_2.png?v=1709828127"},{"product_id":"manley-labs-force","title":"Manley Force","description":"\u003ch2 data-mce-fragment=\"1\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh Voltage = High Headroom = High Fidelity.\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\n \u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom America's leading manufacturer of high-end studio equipment, Manley FORCE contains four channels of real, high-voltage tube microphone preamps drawn from the immensely popular and award-winning Manley CORE®, housed in an exquisitely beautiful and meticulously crafted chassis. hand in California. .\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003e\u003cspan\u003eA FORCE OF NATURE.\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp class=\"\"\u003e\u003cspan\u003eYour relationship with the FORCE begins with the ergonomic dashboard through its carefully arranged controls, silky, bulletproof rotary potentiometers, positive locking feature switches, and convenient 1\/4\" direct input connectors. The LED metering of seven lanes for each channel provides instant visible feedback for enhanced audio levels with dual-insert CNC-milled details A feast for the eyes, yes, we know this is investment quality audio gear that you will be so proud of. to display it in their studio as we do to manufacture it here in Southern California.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003e \u003cstrong\u003e\u003cspan\u003eA FORCE Sonic Tour.\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n \u003cp class=\"\"\u003e\u003cspan\u003eYour microphone signals enter through gold-plated XLR connectors directly into our MANLEY IRON® Mic input transformer. Your line-level or instrument-level guitars and keyboards enter through the front-panel 10 megOhm Hi-Z jacks before reaching the input level control, which also acts as a variable input pad. reverse phase and 120 Hz high pass can be invoked here in the circuit and then we enter the 12AX7 dual triode amplifier stage operating in pure Class A, of course The amount of GAIN for each channel can be selected as 40dB or 50dB through the. front panel switches An additional 10dB of gain is available via internal jumpers The output stage “can drive a truck”, as we like to brag.\u003cbr\u003e\u003c\/span\u003e \u003cbr\u003eThe \u003cstrong data-mce-fragment=\"1\"\u003eMANLEY POWER®\u003c\/strong\u003e power supply is an innovative design developed specifically for Manley Labs, specifically for high voltage valves and specifically for audio by the worldwide team of experts in this technology led by Bruno Putzeys. Proven to be reliable and sonically superior to the Manley CORE®, this power supply provides 300 Volt DC rails to run the vacuum tubes, robust 6 Volt lines to power them, along with several other voltage rails for phantom power and various controls. solid state. tensions. High Voltage = High Headroom, folks. You won't come close to this sonic performance in any 500 series design. Trust us. This is Full FORCE audio excellence that starts with this superior power supply. All lines are importantly regulated, low impedance, efficient and super quiet in this low radiation, high frequency design. The universal mains input accepts any voltage or frequency from anywhere in the world, making traveling with FORCE much easier.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\n\n\u003cstrong\u003e\u003cspan\u003eA force to be reckoned with.\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\n\n\u003cp class=\"\"\u003e \u003cspan\u003eHow do we deliver all of this for just $3,000? Prioritizing what really matters: that strong Manley sound, proven components and rugged, over-built construction, presented in an inspiring package. But designed to build efficiently and really paying attention to how everything works, proudly built by Manley's American workFORCE. A convincing FORCE for you. This is our Driving FORCE. Let us share it with you.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003e7-segment LED peak measurement\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003eSelectable gain, LOW vs HIGH\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003e120Hz High Pass Filter Switch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003ePhase Inversion Switch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003e48V Phantom Power Switch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003eInput attenuator (variable pad)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSilent input level control (variable input pad)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003e1\/4\" DIRECT INPUT\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003eSimilar to the DI in the Manley SLAM!®, and exactly the same as that found in the Manley CORE®, this fully discrete solid state circuit with 10 Meg Ohm input impedance is perfect for guitars, basses, keyboards, etc.\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cdiv id=\"block-yui_3_17_2_21_1491516884860_6600\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\n\u003cdiv class=\"sqs-block-content\"\u003e\n\n\u003cdiv class=\"sqs-html-content\"\u003e\n\n\u003ch1\u003e \u003cspan\u003eSPECIFICATIONS\u003c\/span\u003e \u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv id=\"block-yui_3_17_2_23_1491516884860_7873\" data-block-type=\"21\" data-aspect-ratio=\"0.091324200913242\" class=\"sqs-block spacer-block sqs-block-spacer\"\u003e\n\n\u003cdiv id=\"yui_3_17_2_1_1713019780276_191\" class=\"sqs-block-content sqs-intrinsic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"row sqs-row\"\u003e\n\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\n\u003cdiv id=\"block-yui_3_17_2_17_1491516884860_10129\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\n\u003cdiv class=\"sqs-block-content\"\u003e\n\n\u003cdiv class=\"sqs-html-content\"\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eVacuum tubes: 4 double triodes 12AX7WA\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eBalanced transformer-coupled XLR microphone input impedance: 1250 Ohms\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eUnbalanced 1\/4\" Direct Input Impedance: 10 Meg Ohm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMaximum microphone input (low gain setting): -5 dBu or 435mV RMS at 0.5% THD\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMaximum microphone input (high gain setting): -25 dBu or 44mV RMS at 0.5% THD\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMaximum direct input (low gain setting): +24 dBu or 12V RMS at 0.5% THD\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003eMaximum direct input (high gain setting): +17 dBu or 5.5 V RMS at 0.5% THD\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMaximum output (1kHz sine, at 100 kOhm load, 0.1% THD+N: +35 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMaximum output (1kHz sine, at 100 kOhm load, 0.1% THD+N: 43V RMS\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMaximum output (1kHz sinusoidal, at 600 Ohm load, 0.1% THD+N): +22 dBm\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eHigh current WFDRIVE balanced output impedance: 50 Ohms\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eOutput headroom (referenced to +4 dBu): 31 dB\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eDynamic range: 118 dB at low gain, 100 dB at high gain\u003c\/span\u003e \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"col sqs-col-1 span-1\"\u003e\n\n\u003cdiv id=\"block-yui_3_17_2_2_1491520163282_22730\" data-block-type=\"21\" class=\"sqs-block spacer-block sqs-block-spacer sized vsize-1\"\u003e\n\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\n\u003cdiv id=\"block-yui_3_17_2_2_1491520163282_12213\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\n\u003cdiv class=\"sqs-block-content\"\u003e\n\n\u003cdiv class=\"sqs-html-content\"\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eTHD and noise (1Khz @ +4dBu BW 22Hz-22KHz): 0.004% at low gain setting\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eTHD and noise (1Khz @ +4dBu BW 22Hz-22KHz): 0.04% in Hi Gain setting\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eNoise floor microphone (A WGT): -85dB @ LOW GAIN, -66dB @ HI GAIN\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eSignal-to-noise ratio (Ref. for +4dBu): 87dB @ LOW GAIN, 68dB @ HI GAIN\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eEIN (22-22kHz BW, A WGT): -129dB at 150 Ohm source impedance @ LO GAIN\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan\u003eFrequency response: 20 Hz to 20 kHz -0.1dB, +0.3 dB\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eGain via microphone input: 40 LOW or 50dB HI GAIN (60dB available via internal jumper)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eGain via line input: 20 or 30dB (40dB available via internal jumper)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLow signal green LED (output level): -22 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eHigh signal red LED (output level): +24 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eAUTOMUTE warm-up delay: 30 seconds\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003ePower consumption: 36 Watts\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eOperating mains voltage: 90 to 254 VAC (internal universal power supply)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMains voltage frequency: 50 ~ 60 Hz\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eDimensions: 19\" x 3 1\/2\" x 7\" (occupies 2u)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eUnit weight: 8.6 pounds.\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eShipping weight: 11.8 pounds.\u003c\/span\u003e \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":44921204736218,"sku":"","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0656\/6720\/3290\/files\/ManleyForce_01.png?v=1713020535"}],"url":"https:\/\/musicsa.store\/collections\/pre-amplificadores\/categoria_pre-amplificadores.oembed?page=2","provider":"Music SA - Plugins de Áudio e Equipamentos Musicais","version":"1.0","type":"link"}